Edgar Bronfman, Jr. Quotes
It's interesting that the book publishing industry, on the iPad, has much more flexibility than the music industry had.
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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If I could distil the relevance of Bruce Springsteen's music to Australia it would be this: don't let what has happened to the American economy happen here. Don't let Australia become a down-under version of New Jersey, where the people and the communities whose skills are no longer in demand get thrown on the scrap heap of life.
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As much as I don't want to admit it, my fans are the only ones that can hurt my feelings when they're not pleased with what I'm presenting. I want it to be perfect for them. I want them to have a different sense of pride in my music.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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When you run into something interesting, drop everything else and study it.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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Young kids should be doing music that has shock value. They'll grow out of it.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.
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Our dream as actors is to tell interesting stories about interesting people.
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I am an author, and like many in my profession, I am also a traveling salesman, going all over in an attempt to persuade people to spend twenty-five dollars on a hardcover book by me.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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It's interesting that a lot of female artists want to collaborate with me.
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A good story gives you more of a license to be forward and progressive with the music.
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I have epiphanies all the time, because I'm always thinking. I'm a thinker. I'm always writing poetry, I'm always coming to conclusions.
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That's lifted the crowd up into the air.
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I've always internalized things.
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Love is a human experience, not a political statement.
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It's interesting that the book publishing industry, on the iPad, has much more flexibility than the music industry had.
