Euripides Quotes
Quotes to Explore
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I think we should be encouraged to learn from Columbine and let it be a battle cry for all of us.
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Reality is what you can count on.
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If you can count your money, you don't have a billion dollars.
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No computer or smartphone can ever be considered 100 percent 'safe.' We're all engaged in a perpetual battle with criminals and hostile governments trying to use computers and the Internet to steal information and identities.
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I really can't live without my In-N-Out burgers. Honestly, I can't. Even when I'm doing the whole no-carb thing occasionally, I make an exception for these. They're too delicious to count.
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Downplaying their faults is pretty much the point of campaigns. But we do count on them living with the constant terror of public rejection.
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In every battle there comes a time when both sides consider themselves beaten, then he who continues the attack wins.
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When I lived in Nashville, Tanya Tucker and people like that were coming up, and I'm sure that Loretta Lynn and Tammy Wynette were going, 'What's that noise? That's not country.' It's always been this battle where whoever comes up behind the reigning stars isn't country enough. There really is a lot more crossover now.
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In feature films, unless there was a body count, they weren't hiring me to direct it.
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We count on the FEC to be the public's watchdog.
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What is at a peak is certain to decline. He who shows his hand will surely be defeated. He who can prevail in battle by taking advantage of his enemy's doubts is invincible.
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I speak from a nerd's perspective because I've been watching anime since I was a kid. I grew up on 'Speed Racer' and 'Star Blazers' and 'Battle of the Planets,' and those were some of my first A) cartoons and B) introduction to Japanese couture before I even knew they were Japanese.
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A battle won is a battle which we will not acknowledge to be lost.
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Let's not be overconfident, we still have to count the votes.
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If you want to decide the question of migration without asking your citizens against the will of the people, you are fighting a losing battle.
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We shot 'Skateland' in the end of 2008, in Shreveport, Louisiana just between the border of East Texas and Louisiana - and we shot 'Battle: Los Angeles' at the end of 2009, also in Shreveport. So I know a lot about Shreveport.
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The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.
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People do not want words - they want the sound of battle - the battle of destiny.
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You don't think in depression that you've put on a gray veil and are seeing the world through the haze of a bad mood. You think that the veil has been taken away, the veil of happiness, and that now you're seeing truly.
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I'll hire blacks as long as they can do the cotton-pickin' job.
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Speaking for myself, art differs from writing in that I never know what I'm going to paint until I paint it, so it's almost like automatic writing. A writer, on the other hand, can't help but know what he's going to write, because the activity demands a degree of premeditation.
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Strength lies not in defence but in attack.
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I vividly remember being in my mid- to late-20s. That part of life is very emotional, and exciting, and dramatic in a way that your late 40s are not. That's different and dramatic in other ways, but I wanted to tap into that angry youth vibe in Kill Or Be Killed that I remember feeling at that time, instead of my angry middle-aged vibe that I've been churning out for a few years.
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Cowards do not count in battle; they are there, but not in it.
