Eustace Budgell Quotes
Quotes to Explore
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I've always felt that the obligation of teachers is to have a huge, broad overview and to provide a foundation course to the students. The long view of history is absolutely crucial.
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When you're young, you're stupid.
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I try to do as many different roles as the system will allow me. That's the benefit of not being in a giant blockbuster where you're the lead and you get typecast in that kind of role. I am able to slip in or out of a lot of different parts.
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I want to move people the way Edith Piaf did.
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When I hear traditional family values raised, I hear that effort once again to re-establish the man as head and master of his family. Who had the, not only the right, but the obligation to discipline his wife and children to keep them in line?
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A stronger E.U. of defence makes NATO stronger.
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It is everybody's wish to work with Mani Ratnam.
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What we need to do is run our business. We need to come up with a value prop that is so compelling that customers have to go for it.
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As a child, we visited the San Juan Islands during the summer. Kayaking, big family meals, playing on the beach - great memories!
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I haven't shaken my fists at the moon.
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I just think everything we do has an unintended consequence. We take out Saddam Hussein in Iraq, and Iraq was the check against Iran.
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I am a huge bull on this country. We will not have a double-dip recession at all. I see our businesses coming back almost across the board.
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When he died I had a moment of grief that lasted about five minutes. It was very intense, then never again. Not because I forced myself, but I think it was because he caused us too much pain.
Nastassja Kinski -
I love my country, but maybe that's because I'm white and rich. I'm not technically rich, but I do have a lot of shit, that I refuse to share with others.
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Since the eighteenth century the immense expansion of the worlds wealth has come about as a result of a correspondingly immense expansion of credit, which in turn has demanded increasingly stupendous suspensions of disbelief.
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I went to Cal Arts and AFI, and I worked on 'Bonfire Of The Vanities.' I got this grant from the Academy to be Brian De Palma's apprentice director. And it was such a harrowing, disillusioning, awful experience.
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The truth is I'm a very traditional woman, and Rod - despite everything people may think - is a very traditional man. It's true he absolutely loves glamour, and he hasn't got a conventional job, but performing aside, he's happiest at home with his kids around him or lounging in front of the fire watching a war documentary like 'D-Day Remembered.'
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Nothing is cut while I'm shooting. I edit between nine months and a year, and usually have around 80 hours of footage I have to get down to an 82-minute movie.
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To be a good musician, you need to give people what they want, what they need.
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I like cast iron coated with enamel for longevity and forgiveness if I happen to take my eyes off the prize while pouring Chianti.
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My lawyer has been a good friend of mine for a long time. He and I continuously have conversations.
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Sometimes my lyrics may describe a situation that happened to a friend. Other times, I create a story from the ground up.
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There is also the danger in our culture that because a person is called upon to give public statements and is acclaimed by the establishment, such a person gets to the point of believing that he is the movement.
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The reproach of a friend should be strictly just, but not too frequent.
