Eva Green Quotes
A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
Quotes to Explore
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I cry at films and TV and even adverts.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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You really think that on my films people tell me what to do? I don't think so. On my films I decide.
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The actors that I love to work with, they're hard on me. They're pushing me.
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I haven't written about an immigrant experience because I haven't experienced that before and am focused on existential themes.
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I love working with a lot of different films and a lot of different people.
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Basically, I love films where everything is great and life is good.
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I have died in enough TV and films.
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I support all Australian films.
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I'm still focused on the flagship businesses: Quicken Loans and RockBridge, the title company, and some of the board stuff in the gaming.
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Actors are an insecure breed. It's hard to have your career depend upon other people's opinions of what you do.
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My job as an actor is to serve the writing and help the author get his ideas across.
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In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
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Enforcement efforts should focus on aggressive prosecution of bad actors under existing anti-fraud laws rather than imposing costly and largely ineffective procedural requirements on all public companies.
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I've been training as an actor for six years. Nobody goes to acting school for six years. I mean, the college course is only four years! I absolutely trained.
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Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating. There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.
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The last thing you want is an injured actor. That, or having to use a stuntman too much.
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I've always preferred actors who sing to singers who act in all the shows I've done.
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The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
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We human beings are story-tellers, we pass on our values through the stories we tell. This is particularly true of Catholics, who get their identity through their histories, which they see as salvation history linking them to the saving actions of Christ. So, for Catholics, doing history – passing on the values by telling stories – is a pastoral imperative. We must look where we have been in order to know where we are going.
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A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
