Eva Herzigova Quotes
Quotes to Explore
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.
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No one teaches you how to be a famous person; no one teaches you how to be a role model. It's something you have to do on your own.
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I started as a model in Holland and Chanel took me to New York when I was 19, after which I decided to stay.
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Children up to the age of seven are like sponges. They look up to adults and copy what they do. So I thought if I could create a positive role model - a superhero, if you like - who moves around and has a balanced lifestyle - then they would be motivated to move more.
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I had no luck when I started out as a model. I keep telling people that it's the only career in the world that you can't choose for yourself - you have to be chosen.
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I was the first Indian model to have a career in Paris, Milan and New York.
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I definitely feel like kids do look up to me as a potential role model. It's an honor, but it can also be a burden. I may be on TV, but I'm also a teenager. I don't get it right every time. But I always do my absolute best to stay above board in every way. My fans inspire me to be a better person.
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When I wanted to be an actress, I never wanted really to be the kind of actress I became.
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A democracy is predicated on an educated citizenry. You cannot have a democracy with people that are more interested in what Nicole Kidman is doing or whoever the latest fashion model is.
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I've always only wanted to model. It really is the only life I want.
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I love acting and would love to do it more. It's harder to go into acting as a model now than it ever was because so many models are doing the same thing. I want to do anything that's challenging and not within my comfort zone, and a Bond girl is so different to who I am.
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I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
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An excellent habit to cultivate is the analytical study of the King James Bible. For simple yet rich and forceful English, this masterly production is hard to equal; and even though its Saxon vocabulary and poetic rhythm be unsuited to general composition, it is an invaluable model for writers on quaint or imaginative themes.
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The business model for content is to be paid for it. You can be paid for it either though advertising or subscriptions or some new invention, but right now what we've got is advertising revenue and subscription revenue as the only way to be paid for content.
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I got pigeonholed a bit. When I wanted to be an actress, I never wanted to be the kind of actress I became.
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I am just at that stage of wondering where I go from here. I came into this business almost by accident, but now it has become serious. What started as a bit of fun, something to do other than be a model, has taken on a different career curve. I have been forced to ask where that curve is going to end up.
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There are hits and misses, and as an actress, we are mentally ready for all that.
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That's why success hasn't changed me: because I don't want to be famous or do TV or be a model or be recognised in a shop. I'm not interested. There's nothing worse.
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A 1920s dress I wore on my 21st birthday... literally disintegrated on me. I had the most wild debauched night. And that disintegrated dress sits in my closet - such a great memory.
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To make films is as boring as watching paint dry - you usually have to do little tiny bits here and there. You go off waiting for lighting, you come back - the energy dies. You hope you can find someone who can keep it going.
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I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.
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Celebrity is a mask that eats into the face. As soon as one is aware of being 'somebody,' to be watched and listened to with extra interest, input ceases, and the performer goes blind and deaf in his overanimation. One can either see or be seen.
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You can't be a model at age 60, but you certainly can be an actress.
