Evan Dando Quotes
Quotes to Explore
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Chess is mental torture.
Garry Kasparov -
I don't really like to explain my songs.
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Because animals are property, we consider as 'humane treatment' that we would regard as torture if it were inflicted on humans.
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Many of the songs on Undertow were written at the time Opiate came out.
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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I never set out to write songs about the world around me... it just kind of came about as a result of paying more attention to things.
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I don't believe that we should limit waterboarding - or, quite frankly, any other alternative torture technique - if it means saving Americans' lives.
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My biggest advice for girls – and this is something that I wish I could have known when I was younger – is to have thick skin. It's something that you definitely develop when you get older, but when I first started, I was so obsessed with pleasing everybody. I wanted everybody to like me and to like my songs.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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Dad really had little to do with the songs, except to perform them.
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I'd love to say that I could write political songs, but I don't feel clued-up enough.
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It's so amazing to hear a crowd of people singing one of your songs. It's the best feeling.
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I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
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Sometimes my songs wander off a bit and are not always coherent.
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When I perform in front of large audiences, I'm much more comfortable, because I've already performed in front of tiny audiences - which is much harder, honestly. The smaller you strip things down, the more you depend on the songs and yourself, as opposed to arrangements.
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I know that you cannot hate other people without hating yourself.
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I do not suppose that anyone not a poet can realize the agony of creating a poem. Every nerve, even every muscle, seems strained to the breaking point. The poem will not be denied; to refuse to write it would be a greater torture. It tears its way out of the brain, splintering and breaking its passage, and leaves that organ in the state of a jelly-fish when the task is done.
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I get really affected by songs as a music listener - they mean so much and they feel so significant.
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We did some promotion work in small European clubs last summer and really enjoyed it. It gives people the chance to see you up close. We see all venues as a different challenge and we have songs that can work in all environments, even if we have to change the arrangements.
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I'm kind of a reluctant guru.
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I know so many songs. I'm like a walking karaoke torture machine.
