Evan Daugherty Quotes
I never really knew that I would be a lifer of strong female characters, but that seems to be the drops I'm being given, and I'm very happy for them. Hopefully, 'Divergent' will be the next thing.

Quotes to Explore
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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I think you have to keep a childlike quality to play music or make a record.
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I grew up in a village of 12 houses. We had a well and a cow.
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No ideas and the ability to express them - that's a journalist.
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I was getting a little bored with my hair. It's kind of a symbolic thing, just getting rid of the past, moving forward. It's amazing what a reaction you get when you cut your hair.
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I'm from the school of, 'if you want more, you have to require more from yourself.'
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I'm not really massively into going out. I'm much more of a hibernator. It's nice to have people come to your house or go to someone's house, I think.
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My problem is I don't have this incredible, hip image. I'm not some flamboyant or gorgeous-looking guy who's going to sell records based on his image.
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It's quite difficult for a parent to know that their daughter is in great danger.
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A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
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My father... gave me a positive connection with men because he is a gentleman.
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I went through that stage of the Mumford & Sons and the Alanis Morissette vibe. I was in a dark place at the time.
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When you move artistically, the natural inclination is to denounce everything that's gone before.
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I was raised by my grandparents, and they always made sure that I had a pencil and some paper, whether we were in the car or at a restaurant. While they were enjoying a nice meal, I would be sitting there drawing funny pictures of the waitress.
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It is sad that the more 'successful' a neighborhood becomes, the more it gradually takes on a recognizable, common look, as the same banks, drugstore chains and national brands move in.
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Perhaps the biggest problem in journalism is the cult divide between journalists and corporate owners.
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I like computers. I like the Internet. It's a tool that can be used. But don't be misled into thinking that these technologies are anything other than aspects of a degenerate economic system.
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I observe the world and the people surrounding me.
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What I think is incredible about what Marvel has done and with Jon Favreau I think really maybe helped come up with, is what the template is.
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Innovation is the process of turning ideas into manufacturable and marketable form.
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Victoria didn't tell a soul about our love affair, nor did I. We spent time at each other's homes, sneaking in and out like criminals, although we were so profoundly happy it was ridiculous. Then I felt outraged; I wanted the world to know that I was in love with Victoria, that she felt the same way about me.
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On The Great Gatsby: Fifteen-year-olds can really get behind an essay on what green light means, which is good, because they sure as heck won't relate to any of the characters, who are all huge jerks with enough money to be wasted most of the time on top of being miserable.
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The crisis of the 1930s and the populist reactions of that time must not be forgotten.
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I never really knew that I would be a lifer of strong female characters, but that seems to be the drops I'm being given, and I'm very happy for them. Hopefully, 'Divergent' will be the next thing.