Evan Daugherty Quotes
After 'Divergent,' I got a job rewriting a sci-fi script at Paramount. I think they really liked what I did, so I got a call saying, 'We're about to shoot 'Ninja Turtles' in three or four months; do you wanna come in and do a little work on the script?' That was the beginning of a many-month 'Ninja Turtle' odyssey.
Quotes to Explore
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There are a lot of factors in the life of an F1 driver which can combine to make you believe that you are somehow above normality. I think that is a mistake to start believing that. But, at the same time, it is important to be confident.
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The thing that reinforces my belief about that is having worked the last four years with the Safe Kids Campaign on a national basis. I am so amazed at what these little kids do in keeping their parents alerted to what they are there for.
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Leaders should always expect the very best of those around them. They know that people can change and grow.
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Playing evil is just not interesting. I don't think anyone who does evil stuff thinks they're doing evil stuff. That's the scary part.
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Relationships can be very traumatic. But being in a healthy relationship can be very empowering.
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There are 309 million people out there that are trying to improve their lot in life. And we've got a system that allows them to do it.
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As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
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Wherever I am in the world, my perfect day begins with waking up and heading to the beach or the pool or somewhere I can be semi-comatose. I just wake up and go to the sun.
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When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down.
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I am gay, and I'm very comfortable with it.
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God spoke to me and called me to His Service. What form this service was to take the voice did not say.
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You can't reconcile being pro-life on abortion and pro-death on the death penalty.
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When a producer like Prasad, who knows people's pulse, is ready to try something new, why not me?
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The camera and I have always had good chemistry.
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A fellow who has a funny bone can learn to hone his skills, but I don't think you can develop a funny bone - you either have it or you don't. And by the way - when you get it, we don't know it.
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Politics is my hobby. Smut is my vocation.
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As a street performer, I have learned that everybody wants to connect. And that usually, if you're a bit extraordinary, if you're not exactly of human appearance, then people will feel inclined to participate and to feel out loud. It's as though you made something resonate within them.
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But I won't work with the exact same crew film after film because I feel the work would get a little complacent.
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I used to think that I could be successful if I pretended to be a 23-year-old black woman. I wanted to find a young black woman who would be willing to go in on this with me. I would write her novels, and then she would do the touring. I always thought I was too old and the wrong color.
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I've loved taking on roles that have a very universal message that lots of people can identify and relate to - and at the end of the day can get people talking.
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The most difficult thing about living as a writer is precisely 'having to write.' Pretending to be a writer is easy. Living freely, reading many books, going on frequent trips, cultivating minor eccentricities... but genuinely being a writer is difficult, because you have to write something that will convince both yourself and readers.
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If you have a sense of irony or humour, you're usually cut down, as you're usually distorted or misinterpreted. So it does lead to us being slightly more dour and staid and predictable than would otherwise be the case, which I personally find quite frustrating - because if you don't laugh occasionally in my job, you cry most of the time.
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The people with whom I've worked in the Special Operations community are more concerned with an individual's contribution to the team, and their ability to do their job exceptionally well, than their race or sexual preferences.
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After 'Divergent,' I got a job rewriting a sci-fi script at Paramount. I think they really liked what I did, so I got a call saying, 'We're about to shoot 'Ninja Turtles' in three or four months; do you wanna come in and do a little work on the script?' That was the beginning of a many-month 'Ninja Turtle' odyssey.
