Eve Ensler Quotes
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I honestly never understood how violence against women became a women's issue. 95 percent of the violence men are doing to women.
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It seems to me that we spend an inordinate amount of time and attention on fixing ourselves when we could really be directing that out to serving others.
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People are sad. People are broke. People are worried about money, people are worried that they're not enough and not amounting to anything and they don't feel good about themselves. People have rough times, and everybody's pretending it's not true, and we need to break that veneer.
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Do you say that tree isn't pretty cause it doesn't look like that tree? We're all trees. You're a tree. I'm a tree. You've got to love your body, Eve. You've got to love your tree. Love your tree.
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I think we are seeing the absolute and utter collapse of male politicians in this U.S country and we're seeing what the underpinnings of the power structure are, which are sexist underpinnings.
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I think there are so many children being brought up in some form of violence, be it violence of poverty or sexism or racism or homophobia or transphobia. That violence takes a life to transform or overcome. I don't think people should be spending their lives dealing with that. I think people should be thriving, playing, creating, evolving.
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But my body was telling its story. I have read a lot of stuff about cancer. I needed this book. I wish I'd had this book when I had cancer. I wanted someone to be talking to me about "fart floors." I wanted somebody telling me what it was like to have a colostomy bag. I felt so alone. And if you're a person who's been traumatized by past abuse, it's so potentially re-traumatizing. You slip right into "oh my god, this is the only person this has happened to before" mentality: "I'm especially bad and I have especially bad cancer..."
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I bet you're worried. I was worried. I was worried about vaginas. I was worried about what we think about vaginas, and even more worried that we don't think about them.
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There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."
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I feel sometimes with boys that the tyranny of patriarchy has had a much more devastating blow on boys than it has on anyone. Because they have literally been forced to disassociate from their hearts.
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Since cancer, I feel like I have dreams rather than ambitions, visions rather than plans.
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I want to read so I can read the Koran read the signs in the street know the number of the bus I'm supposed to take when I one day leave this house.
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Why don't we bring everyone up to be caring and compassionate, to believe that we are connected with everyone and everything around us?
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I'm feeling a kind of liberty to write about what's interesting to me without worrying about what I should be writing about. And that feels good.
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We have no idea how many women were raped in wars - because no one ever asked. So sometimes when people say statistics have escalated, I wonder if, that is true or are we just hearing about things now that we didn't hear about before.
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Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.
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Danger lurks when people are dissociated and detached from their own story or feelings.
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People didn't feel so much shame around it and that they didn't feel so much humiliation around it. And the other thing that people have given me a lot of feedback about - something I'm very excited about - is all the stuff around chemo as an "empathetic warrior."
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This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.
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I can only describe it as: the whole experience was imprinted on my body. And when I started to write it, it just came from such a very, In The Body of the Worldvery physical... it just came from my body. I don't know how to explain it better than that. I guess my head was transmitting it. It was a very, very physical experience writing this book.
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Then there was sex, which, for me, was such a need. When I was younger, I had a need to have sex with everyone. I don't know where that was coming from, but there was such a need to connect physically - obviously, for me to connect physically to myself. There were times, like I say in the book, where you lay on top of me, when you push me down, when you're inside me.
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Trauma dissociates us from the parts of our body that are wounded, so we have to leave our whole body. It's a journey you take your whole life, that coming back in, re-landing in your body, in your self, on the Earth. I think one of the reasons it's been so easy, in a way, for us to violate both women and the Earth is this profound dissociation that exists in everyone.
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When I wrote 'The Good Body,' I turned 40 and suddenly had this stomach. It seemed like the end of the world. Because I didn't value my body. I was constantly judging it, but I also didn't live in it.
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It really occurred to me at a certain point: women have not been embodied. Feminism has not been embodied. It hasn't gotten into us in a way where it is so undeniable that there is nothing to prove. Do you know what I mean? That we are so in our feminist skin, so to speak, that we are that world now.