Eve Ensler Quotes
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It seems to me there's this tyranny that's not accidental or incidental, to make women feel compelled to look like somebody they're not. I think the effort is being made to get us to turn our time and attention to this instead of important political issues.
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This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.
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If you just look at the fact that a woman was central in twittering the Cairo revolution, and women were central to the Tunisian uprising. Women are at the center of everything right now and moving everything forward. And I do think in the next year or two, we are going to see such a woman spring, such a rising.
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But my body was telling its story. I have read a lot of stuff about cancer. I needed this book. I wish I'd had this book when I had cancer. I wanted someone to be talking to me about "fart floors." I wanted somebody telling me what it was like to have a colostomy bag. I felt so alone. And if you're a person who's been traumatized by past abuse, it's so potentially re-traumatizing. You slip right into "oh my god, this is the only person this has happened to before" mentality: "I'm especially bad and I have especially bad cancer..."
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It seems to me that we spend an inordinate amount of time and attention on fixing ourselves when we could really be directing that out to serving others.
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I think what's been true across the board is the universal patriarchy, the fear of women ever being born back into complete sexuality and life-force. This manifests itself in different cultural variances, but that's really what's going on everywhere.
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Naming things, breaking through taboos and denial is the most dangerous, terrifying, and crucial work. This has to happen in spite of political climates or coercions, in spite of careers being won or lost, in spite of the fear of being criticized, outcast, or disliked. I believe freedom begins with naming things. Humanity is preserved by it.
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In America, we have to really be working on two fronts right now. Immediately, we have to be rising in resistance and protecting our Muslim brothers and sisters and every marginalized person under threat and siege. At the same time, we have to be planning and envisioning where we're going. How we build moments and movements, how we come up with the vision we want of a progressive left - that's what comes in after.
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I think it was a realization of this cancer, an understanding of the broader implications of what cancer is. The greed, the ravaging of lands and seas for profit, the taking of things that don't belong to us; what we've done to the environment in this fast-paced, careless hunger. I think all of that was happening in my body.
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There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."
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Three of the ten principles governing the City of Joy are tell the truth, stop waiting to be rescued, and give away what you want the most.
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Cherish your solitude. Take trains by yourself to places you have never been. Sleep out alone under the stars. Learn how to drive a stick shift. Go so far away that you stop being afraid of not coming back. Say no when you don’t want to do something. Say yes if your instincts are strong, even if everyone around you disagrees. Decide whether you want to be liked or admired. Decide if fitting in is more important than finding out what you’re doing here. Believe in kissing.
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Dance has a transformative effect on bodily trauma.
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An activist is someone who cannot help but fight for something. That person is not usually motivated by a need for power or money or fame, but in fact is driven slightly mad by some injustice, some cruelty, some unfairness, so much so that he or she is compelled by some internal moral engine to act to make it better.
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Why don't we bring everyone up to be caring and compassionate, to believe that we are connected with everyone and everything around us?
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I really do think how we frame things determines so much of our experience, and I've been talking to a lot of oncologists, like, why don't we call them transformation suites and give people transformation juice and have guides that support people when they're going through chemo so you could actually burn away what needs to be burned away, as opposed to this dread, terror, horror, which is a very different experience.
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If you were around in the '60s, you already know that music and art and love are a critical part of the revolution. This is how we fight.
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Women not only get violated, but then we take on the struggle to end it too... As a man, how could the destruction of women be anything to you but devastating? Think about the fact that the women being hurt are your mothers, daughters, sisters.
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I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.
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We have no idea how many women were raped in wars - because no one ever asked. So sometimes when people say statistics have escalated, I wonder if, that is true or are we just hearing about things now that we didn't hear about before.
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I honestly never understood how violence against women became a women's issue. 95 percent of the violence men are doing to women.
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When I was younger I felt very disempowered, very disappeared. I felt worthless, like I had no right to exist. I think a good part of my life was spent recovering from that. Pulling myself out of that.
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I think we are seeing the absolute and utter collapse of male politicians in this U.S country and we're seeing what the underpinnings of the power structure are, which are sexist underpinnings.
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Maybe being good isn't about getting rid of anything. Maybe being good has to do with living in the mess in the frailty in the failures in the flaws. Maybe what I tried to get rid of is the goodest part of me. Think Passion. Think Age. Think Round. Maybe good is about developing the capacity to live fully inside everything. Our body is our country, the only city, the only village, the only every we will ever know.