Eve Ensler Quotes
If you were around in the '60s, you already know that music and art and love are a critical part of the revolution. This is how we fight.
Quotes to Explore
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When you are missing someone, time seems to move slower, and when I'm falling in love with someone, time seems to be moving faster.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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Surround yourself with people who provide you with support and love and remember to give back as much as you can in return.
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If we're going to go really deep, we're all trying to live forever. My music is my way of doing that.
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Whenever you hear a man speak of his love for his country, it is a sign that he expects to be paid for it.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
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I think music docs could turn off some people.
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They call people who love London 'Anglophiles' and people who love France 'Francophiles.' I'd be the New York version of that.
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Music is art to me, and you don't censor art. You don't go into a museum and censor things.
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The UFC didn't want me to fight there so what could I do? We were unable to make a deal. They offered unacceptable conditions.
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I am about the arrangements and the layers of depth in the music.
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I'm still going to sing these songs because trap is a type of music very popular in the streets, and people want to hear it.
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You have to be very careful with the art you create and you put out.
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Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
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I don't even listen to music when I'm off tour.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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Within the songwriting community, there are these unwritten rules for the way that a song should be written in country music, and I think that those rules are constantly being broken over the years, and the molds change and the process is evolving.
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Nothing he could do or say would bridge the gulf because there was nothing here to appeal to. There was nothing here but anger and fear, things in themselves entirely sterile. Divorced from the love of righteousness, the fear of God, they were nothing. There was nothing here. He had not realized before the ghastly evil of negation. He had seldom felt such evil. Nothingness was a bottomless pit...
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I've always said that I would only ever release something that I would want to listen to as a fan.
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You cannot run a linear system on a finite planet indefinitely.
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I've spent so much of my adult life in relationships that it's actually quite pleasant to be alone at last. I turned thirty-six the other day, which staggers me when I think about it.
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If you were around in the '60s, you already know that music and art and love are a critical part of the revolution. This is how we fight.
