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Do you say that tree isn't pretty cause it doesn't look like that tree? We're all trees. You're a tree. I'm a tree. You've got to love your body, Eve. You've got to love your tree. Love your tree.
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What neo-capitalism does so brilliantly is that it's always subdividing and dividing, so that people are never able to be joined in their numbers and strength in a unified way. That is exactly what we have to overcome.
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Looking at it, I started crying. Maybe it was knowing that I had to give up the fantasy, the enormous life consuming fantasy , that someone or something was going to do this for me – the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms.
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When you listen to other women’s stories, you begin to understand your own better, and you begin to find ways back through and with each other.
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We have to know people who are outside of our own circle, we have to reach out to people we don't know, we have to protect people who are in tremendous danger. And we also have to not get burned out and let our fear and anxiety and depression sink us. So there's lots of things we have to do right now!
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Danger lurks when people are dissociated and detached from their own story or feelings.
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Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.
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We have not yet made violence against women abnormal, extraordinary, unacceptable. We have not yet come to see it as a pathological issue.
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Security is elusive. It's impossible. We all die. We all get old. We all get sick. People leave us. People change us. Nothing is secure.
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I feel sometimes with boys that the tyranny of patriarchy has had a much more devastating blow on boys than it has on anyone. Because they have literally been forced to disassociate from their hearts.
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I am so grateful to be alive. It's ridiculous to be alive.
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Then there was sex, which, for me, was such a need. When I was younger, I had a need to have sex with everyone. I don't know where that was coming from, but there was such a need to connect physically - obviously, for me to connect physically to myself. There were times, like I say in the book, where you lay on top of me, when you push me down, when you're inside me.
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I want to read so I can read the Koran read the signs in the street know the number of the bus I'm supposed to take when I one day leave this house.
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You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
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Go so far away that you stop being afraid of not coming back.
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I can only describe it as: the whole experience was imprinted on my body. And when I started to write it, it just came from such a very, In The Body of the Worldvery physical... it just came from my body. I don't know how to explain it better than that. I guess my head was transmitting it. It was a very, very physical experience writing this book.
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I wake up every day and I think, 'I'm breathing! It's a good day.'
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Everything you deny is actually killing you on some level. You see something, you feel something wrong with your body, you pretend it's not happening, it goes on, it grows, it gets worse.
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Dance is holy, sexual, and it's a way of being very powerful and a little dangerous without being violent.
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Trauma dissociates us from the parts of our body that are wounded, so we have to leave our whole body. It's a journey you take your whole life, that coming back in, re-landing in your body, in your self, on the Earth. I think one of the reasons it's been so easy, in a way, for us to violate both women and the Earth is this profound dissociation that exists in everyone.
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Today the United States has the highest prison population in the world, over 2.1 million people. ... We lock people up at a rate that is seven to ten times that of any other democracy.
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Political change and academic change and intellectual change are obviously crucial, but they don't necessarily change society. They can change a particular class and give everybody in that class great arguments, but that doesn't necessarily translate into the body of the culture.
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I'm feeling a kind of liberty to write about what's interesting to me without worrying about what I should be writing about. And that feels good.
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When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.