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We can't walk where we want to walk or be who we want to be or dress the way we want to dress or go anywhere any time of day. I am talking about the freedom that comes with just knowing that you're okay, and that you have value and you have identity, and you don't have to keep proving yourself.
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I'm in good shape. My cancer means I have lost a lot of organs and I'm a lot lighter. I have devoted myself to yoga and I'm doing handstands.
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I'm a nomad. I have a place in New York in the Flatiron District, and I have a place in Paris in Ile Saint-Louis, and I spend a lot of time in Congo.
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Why are women immobile? Because so many feel like they’re waiting for someone to say, "You’re good, you’re pretty, I give you permission."
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The cancer in me became an awareness of the cancer that is everywhere. The cancer of cruelty, the cancer of carelessness, the cancer of greed.
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I think we have made progress. There's no doubt about it, we have moved forward. But there's some essential, core thing that has not been deconstructed. And I'm telling you, it's connected to the body. I know it is.
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I think of the security of cages. How violence, cruelty, oppression, become a kind of home, a familiar pattern, a cage, in which we know how to operate and define ourselves.
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I think culture is where things change in us deeply. But right now, I think that people are very traumatised. They are very scared. Having grown up in a house with a perpetrator who was violent every day and terrorising every day, I feel like that this country is suddenly very much like the house and the family I grew up in. Every day we are glued to our phones, glued to our television; "What is this psychopath going to do next? How will he embarrass us? Who will he bully or hurt or humiliate today? It's so easy to get locked into a syndrome where the perpetrator is ruling your life.
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Money doesn't make you special, it makes you lucky. Be generous, be crazy, be outrageous.
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I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.
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I don't get tired, because every time a woman doesn't die or doesn't get beaten or doesn't get raped or doesn't get honor-killed or doesn't get acid-burned, it's a huge victory.
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My commitment originated in my own story and my own relationship to violence.
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The mechanism of violence is what destroys women, controls women, diminishes women and keeps women in their so-called place.
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I think to be honest, that being is inside. I meet that being in so many people that I meet everywhere in the world and when I do meet that being, in other people, what I want to ask is "How do we keep opening ourselves so that we can become as vulnerable and as willing to live in the deepest complexity and ambiguity and truth that we can?
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Terence McKenna says, "The culture is not your friend." I am not sure we can change this culture. But I think we can rise above it and create a new world. That's why I so deeply believe in alternative spaces. That's why I believe in the power of art and activism.
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Our bodies are critical. If I learned anything from getting really bad cancer seven years ago, it's that your body is what you've got. If you don't take care of it, you're not going to be here.
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With the Gulf spill, I absolutely merged in the time when I had that infection. I couldn't get out of the Gulf spill. There were so many similarities: the drains and the siphoning and the tubes. And also in the way the earth was hurt, the ocean was bleeding. Remember the video cams of the oil gushing? I couldn't stop watching that.
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Writing and giving voice to what I am feeling makes me happy. And supporting people in finding their voice, passion, outrage and resistance. There is nothing better than that.
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You will touch this joy and you will suddenly know it is what you were looking for your whole life, but you were afraid to even acknowledge the absence because the hunger for it was so encompassing.
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I want to touch you in real time not find you on YouTube, I want to walk next to you in the mountains not friend you on Facebook.
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To have insurance and have a diagnosis and to have doctors, I just felt it would be immoral on some level to complain.
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When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.
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I wake up every day and I think, 'I'm breathing! It's a good day.'
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I have been struggling to find my way back into my body my whole life.