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I have been a depressed person most of m life. I was always in the throes of self-hatred.
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For many years now, I feel like my own body struggle has been linked and connected with women I meet in the world. I think we're in this together.
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When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.
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If you are divided from your body, then you are divided from the body of the world.
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It is almost a guarantee that in the pursuit of security you will become more insecure. Inherent in the quest for security is its undoing.
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I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.
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I live with that contradiction daily. It is a constant struggle. I struggle very deeply. I don't think I've said this to anyone, but I've wondered if I just want to give up this world and live in the Congo and just be there. But I don't think that's what they need from me.
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Women are the primary resource of the planet. They give birth, we come from them. They are mothers, they are visionaries, they are the future. If we can figure out how to make women feel safe and honor women, it would be parallel or equal to honoring life itself.
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The only point of having power it seems to me is to empower others. The only point of leadership is to inspire.
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I got to a nine-hour surgery, I lost lots of body parts and rearranged, I got really months of infection that I lost 30 pounds. But the idea of pumping poison into my bloodstream just - I couldn't, I couldn't.
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When we give in the world what we want the most, we heal the broken part inside each of us.
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I think that anytime you get clear about what your mission is or what your focus wants to be, things start to come together in your life.
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We live in a racist world. Everywhere there is racism. We say to White people, "You really have to examine how you behave in the world. You are responsible for deconstructing internalized racism and being part of a ongoing process of decolonizing yourself.
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Why don't we teach sex the way we teach math or history? It is such a deeply crucial and healing part of life and we offer no road map. I think it is core to ending violence.
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We're always learning. We're all in the process of decolonizing ourselves - removing all the parts of us that are sexist, homophobic, transphobic, racist. I mean, everybody in society needs to be in this process because everybody's been brought up in a misogynist, racist, homophobic, transphobic culture.
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One of the things I think about when we talk about a violence,and relationship to spirituality is that it seems to me when you take something from someone that isn't yours or you hurt someone else, fundamentally, you actually do that to yourself. You actually unmake yourself, you work against your own being and your own matter.
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I think violence against women in America has become ordinary - it's been made absolutely acceptable.
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Look, you do everything in stages, right? I don't think everything happens at once. There are so many layers we are constantly chipping away at, down and down and down, closer and closer to what would be the body. I think what happened with cancer, was that I woke up out of nine hours of surgery and I was body. I was just body.
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When you bring consciousness to anything, things begin to shift.
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Stop fixing your bodies and start fixing the world!
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The world has done that already - possessed the Congo and pillaged her and dominated her and robbed her of agency and occupation. Love is something else, something rising and contagious and surprising. It isn't aware of itself. It isn't keeping track. It isn't something you sign for. It's endless and generous and enveloping. It's in the drums, in the voices, in the bodies of the wounded made suddenly whole, by the music, by each other, dancing.
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I think the world is always improving and always not improving. I think that both are simultaneously happening all the time. I don't think it's one motion unfortunately - I wish we could say it's better, better, better - but I think it's better, bad, better, bad - you know?
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We're in a crisis. We're in a crisis like I don't think America has ever known in my lifetime. But we have to keep joy in our lives, love in our lives, poetry in our lives, dancing in our lives.
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What I would say to young women is: Pay attention to the real. Pay attention to what you're really thirsting for. What do you really want? And I think that's much harder to decipher in a culture that has no interest in it. What interests me is, are we going to wake in time? Are human beings going to wake up to ourselves, to the incredible poverty that's on this planet, to what we're doing to the earth, to what we're doing to women, to what we're doing to boys? That's what's important.