Evelyn Glennie Quotes
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
Quotes to Explore
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In America, people think being South Asian is still kind of exotic. When you go outside New York and Chicago and L.A., there are people who have never tried Indian food... they've never even tasted it!
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Is it not careless to become too local when there are four hundred billion stars in our galaxy alone.
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I'm a prolific overanalyzer. And I can always use 15 words in place of three 3, no matter what.
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One thing I probably share with everyone else in the astronaut office is composure.
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Resolve not to be poor: whatever you have, spend less. Poverty is a great enemy to human happiness; it certainly destroys liberty, and it makes some virtues impracticable, and others extremely difficult.
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I'm one of those artists that people take my music without my consent. People love to snatch my music and do things on their own. You got people that put me on beats I never rapped on. I just feel that it's a bad thing.
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Your organization will take on the personality of its top leaders.
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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Going first is courageous. I'm just talking on a spirit level now.
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Creating art or something beautiful makes you a more fulfilled person than they can ever be because they're caught up in what they hate rather than what they love.
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The day that a woman who is passing before you sheds a light upon you as she goes, you are lost, you love. You have then but one thing to do: to think of her so earnestly that she will be compelled to think of you.
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Certainly I thought that was important for us. Particularly when you've got new receivers, you want to get in some kind of a groove there.
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That's when I heard the sounds of a certified genius spinning around in circles like a dog chasing its tail.
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Except for the violin pieces and a few of my orchestra pieces, all of my works from the Passacaglia on relate to the death of my mother.
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It reminded him of the cacophony of an orchestra as it tuned its instruments: dissonance, suddenly resolving into harmony. It was the rumble, not of thunder, but its low, rolling precursor, trembling on the horizon.
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I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
