Ry Cooder Quotes
Quotes to Explore
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man.
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From the ashes of a financial crash, there is a chance to create a new economic settlement that is more equal, sustainable and democratic.
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Strange, is it not, my brothers, how often in America those great watchwords of human energy - 'Be strong!' 'Know thyself!' 'Hitch your wagon to a star!' - how often these die away into dim whispers when we face these seething millions of black men? And yet do they not belong to them? Are they not their heritage as well as yours?
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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I think it's important for girls to be confident. Believe in yourself and... everybody's hot.
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People just love to be entertained, and in order to entertain them, you have to do things in a way that they understand.
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I think it's fun to get in a room and sweat with people. I'm happy to share my workouts with everyone.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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I thought of myself as an outsider in a lot of ways as I was growing up. Not in a bad way; more as an observer. I often find myself thinking as an observer of science fiction rather than as a participant.
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My mum is a bit unconventional; she's outdoorsy and has more of an emotional intelligence, whereas my dad is pragmatic; he's a businessman.
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I don't mind playing spoiler.
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I like music that's more offensive. I like it to sound like nails on a blackboard, get me wild.
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There are lot memories to take home but the most emotional moment has been when I was touching down in New Delhi. Tears rolled down when I saw the red soil in Delhi from the plane.
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Even if you are a best-seller you feel insecure because it is all so unpredictable.
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I was a victim of a stereotype. There were only two of us Negro kids in the whole class, and our English teacher was always stressing the importance of rhythm in poetry. Well, everybody knows - except us - that all Negroes have rhythms, so they elected me class poet.
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My daughter is a very adventurous eater. I'm not the guy who sits around lamenting that all my kid will eat it is Tater Tots and chicken nuggets. With my kid, it's more a capricious and whimsical decision-making.
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When you're someone who cares about making a difference in the world, and you have resources to do that, you have literally hundreds of choices you could make about how to do that.
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I'm not interested in making all-black films - I come from a very diverse culture; I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
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I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
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One thing I am certain of is that, if I have done anything good in music, it was, first, because of my father, and second, because of my wife.
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I think I have a more wider scope for music, I have more taste for music.
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I promised myself that I would write as well as I can, tell the truth, not to tell everything I know, but to make sure that everything I tell is true, as I understand it. And to use the eloquence which my language affords me.
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Bad music can make you weak.
