Ry Cooder Quotes
These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.
Quotes to Explore
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Actors are always the last to see what they have created.
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Since 1989, we have been deploying on an average of every 18 months.
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I just like music that I can relate to, something to listen to in my car.
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I think the world looks down on Republicans for their socially conservative views, which includes religion in government.
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I make a lot of money and I'm worth every cent.
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I have no idea what advantages I truly get, but I know people talk to me and give me time of day because they like how I look.
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I've now been in this country for thirteen years, since I was seventeen. So this is my second home.
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Writing a novel is one of those modern rites of passage, I think, that lead us from an innocent world of contentment, drunkenness, and good humor, to a state of chronic edginess and the perpetual scanning of bank statements.
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We cannot afford idleness, waste or inefficiency.
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A good maxim allows you to have the last word without even starting a conversation.
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I don't write with a scheme or a plan. I write word to word, so whatever that first sentence is, having said that, one more or less had to say what comes next and next and next. Guilty of no cogitation or forethought.
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I define poetry as celebration and confrontation. When we witness something, are we responsible for what we witness? That's an on-going existential question. Perhaps we are and perhaps there's a kind of daring, a kind of necessary energetic questioning. Because often I say it's not what we know, it's what we can risk discovering.
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That's why I think the 'Scarpetta' series has worked so well because people like spending time with this character.
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My relationship with everyone in Jamaica is good.
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Network shows shoot so fast, so you kind of have to just go with your instinct.
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The trade union movement represents the organized economic power of the workers... It is in reality the most potent and the most direct social insurance the workers can establish.
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If only the people around you know you're an artist, then you're doing something wrong.
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I was surprised when I finally moved to Boston and the East Coast, to discover that there weren't that many vibraphone players around. And I was the only one playing with four mallets.
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Everyone applauds each other's success in Hollywood because they know how tough it is, but it really comes down fundamentally to the process.
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I feel I'm following my path. I'm living my truth, and my path is storytelling.
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My comrades would call me a 'black capitalist.'
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In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
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These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.
