Ryan Adams Quotes
Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.
Quotes to Explore
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All autobiography is storytelling; all writing is autobiography.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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I skate just to satisfy my own desire and not care about other people's desire for me to do well.
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I find myself, by happy accident, writing 'Young Adult' fiction. However, I dislike such categories.
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I could care less about the radio or the TV or album sales. I want that connection with people because when I'm able to walk down the street, I want them to feel like I've done something for them and helped their life because I've never felt that way about a musician.
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The primary motive for good care and good use of the land-community is always going to be affection, which is too often lacking.
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Audiences are quite happy to be astonished, and they don't care who does that astonishing.
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I no longer care about the financial system. I gave them my roadmap. OK? Thanks, bye. I've no idea what's going on. I'm disconnected. I'm totally disengaged.
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When I write, I don't allow the fear of consequences to interfere with the writing process. I have in the past paid for my commitment to the truth and the way I live my life. I am prepared to pay more if I have to.
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The greatest comedies that were made by anybody were made in two reels; I don't care who it was.
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I'd sometimes do 50, 60 takes of song.
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When I begin writing, I have no idea what my novels are ultimately going to be about. I don't have a plot. I never consider a theme. I don't make notes or outlines.
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Some fans get genuinely upset if I admit that a song that they held close to their heart was not based on actual events in my life. Like 'What Sarah Said': I was never in a waiting room in a hospital waiting for news that somebody was going to die.
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I think I get certain pleasure from writing what I'm performing.
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Despite having written five books, I worry that I have not written the right kinds of books, or that perhaps I have dedicated too much of my life to writing, and have therefore neglected other aspects of my being.
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I can imagine myself as an old man writing music for choir or orchestra. I don't know that I'll be touring six months out of the year in a rock band when I'm 60.
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I don't have any great first job tales: I've never worked on a tramp steamer or in a coal mine or anything like that. I think the inspiration for my writing came largely from my father and the joy that life in books represented to me.
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I feel totally lucky and happy. I think a lot of young directors feel this way but you sort of, like, have a biological clock that starts ticking and you like feel like you aren't anything until you direct a movie and you need to find yourself and this is how you do it.
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No soul of high estate can take pleasure in slander. It betrays a weakness.
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She's going to do what her donors want. That's who Nancy Pelosi is. Not remotely progressive.
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Dive deep. Drown willingly
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Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.
