Ezra Pound Quotes
Pay no attention to the criticism of men who have never themselves written a notable work.
Quotes to Explore
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For my own part, I had rather suffer any inconvenience from having to work occasionally in chambers and kitchen... than witness the subservience in which the menial class is held in Europe.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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I'd never put all my chips anywhere, because I don't want to close any doors, but I was raised in a very blue-collar family. I was raised by parents who said, 'If you don't go to work every day, you're not contributing', so that's my mentality. I have to work every day; I have to bring home a paycheck.
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Voting to go on strike is not a decision working people take lightly and is always accompanied by a strong sense of injustice at work. The impact of losing a day's pay is significant, not least for those in the lowest paid jobs who are already on the tightest budgets.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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I like sports, and swimming is my favorite. Doing physical exercises keeps one fit and healthy and helps one work more efficiently. I think we all need to strike a balance between work and relaxation. This can keep us energetic and help us do our job better.
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I have always believed in quality work.
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Apart from hard work and being in the right projects, you need to re-invent yourself. I'd be bored doing the same thing over and over, and the audience wouldn't like it, too. The trick is to break that monotony.
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Unemployment is capitalism's way of getting you to plant a garden.
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I was shooting for 'Kahaani' and 'GOW' back to back. I was in a village on work, where a man extended a paper to me. For a minute I thought he wanted another actor's autograph. I looked back and forth, but there was no one. That was quite an experience.
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In Victorian fiction, there would be a chapter at the end devoted to righting all of the wrongs. I thought to right all of the wrongs would be too glib. I thought it would be better to lull the reader into thinking that is the way it would work, but then not to do that.
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I've never really been a careerist; I've never been able to step back and look at anything in that way. I though this is just what happens. I did take my work very seriously. I loved immersing myself in a character. I loved getting the opportunity to do that. I didn't realize how extraordinary it was, how lucky I was, because I was young.
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We work for the families back home, we do not work for the lobbyists that prowl the halls of the capital building, do not forget who we work for.
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A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms, 'The Clock' is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself - something almost inhuman.
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That's why our country is such a beautiful, beautiful experiment: We manifest, we allow freedom if you follow certain rules and if you work really hard. That's at the root of our cherished values.
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I feel like my experience on 'Community' was that I saw just how important that first year is for a series. That is where you work all the pieces out, and that means honing the characters' voices, setting that tone, finding your angle.
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Capitalists work hard to produce what consumers want. Artists who work too hard to produce what consumers want are often accused of selling out. Thus, even the languages of capitalism and art conflict: a firm that has 'sold out' has succeeded, but an artist that has 'sold out' has failed.
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I do work very hard. I have been very colored by that education. I spent six days a week, seven hours a day training. That will always be the foundation of my work.
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I feel sometimes that there's this sense that people are poor because they want to be, or they're working-class because they want to be or because they don't work hard enough. I feel like there's this demonization of working people in general, but specifically definitely labor union members.
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I've been fortunate enough to travel with Oxfam several times, and they're always so well organized, so it was a good way to show the kind of work they're doing.
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There is not a country on earth whose people don't deserve to be free and safe.
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If, for 2,000 years, you dress up differently, believe in a different God, celebrate different holidays, and on top of it insist on telling everyone that you're completely different than them, ultimately they'll believe you.
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I've survived inattention. I hope to God I survive attention.
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Pay no attention to the criticism of men who have never themselves written a notable work.
