Italo Calvino Quotes
Quotes to Explore
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If you love attention and have a pretty decent voice, that's a pretty good combination.
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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Every story I create, creates me. I write to create myself.
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We in Congress stand by Israel. In Congress, we speak with one voice on the subject of Israel.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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My books are character-driven. They're not driven by the story.
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A good story gives you more of a license to be forward and progressive with the music.
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My voice hasn't changed really very much. I still do all my songs when I perform live and still do them in the original keys. I've been blessed with that ability to retain that.
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If a film is suitable for family viewing, it should remain so, and if a film has some adult content, it should remain so, and these genres should never be mixed and spoil the vision of the story teller.
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I really liked Kishore Kumar. He had a virile man's voice, and he was truly versatile.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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Take off your bedroom slippers. Put on your marching shoes,' he said, his voice rising as applause and cheers mounted. 'Shake it off. Stop complainin'. Stop grumblin'. Stop cryin'. We are going to press on. We have work to do.
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Everybody wants to be a star right now, to be heard, to have a voice, so you have to give the confidence for people to have that ability - and give them the wardrobe to become a star.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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My uncle is so funny - Don Vito. He was always fat with the craziest voice. Dude, he barely speaks English; it's just full-blown jibber-jabber. It's so funny to watch on TV because you really need subtitles because you can't understand him.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
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I've never been into the typical R&B voice, with runs and bluesy sounding words. That doesn't suit me.
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'That is the story. Do you think there is any way of making them believe it?' ' Not in the first generation', he said, 'but you might succeed with the second and later generations.'
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There is no substitute to taking a lot of a catches as a youngster if you want to do slip catching - you've got to catch, catch, catch. And more than doing the normal stuff, you have to vary your catching - you've got to take some catches with the tennis ball, you got to take some closer, some further away.
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I find it really irritating when a band changes the melody of a song you know.
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The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.
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Whenever you do something that is in a continuous take, and something that we're not used to doing, because it was all in the details of if you don't make one move seem natural it can give away all of it.
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It is not the voice that commands the story: it is the ear.
