Isabella Rossellini Quotes
You dont do an experimental film to become rich, so the people who are involved are involved because they enjoy the creative aspect of it.
Quotes to Explore
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The U.S. economy and workers benefit from a strong, healthy relationship between government and business.
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Those who condemn gay marriage, yet are silent or indifferent to the breakdown of marriage and divorce, are, in my view, missing the real issue.
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As an entrepreneur, you tend to see the opportunities where others see none.
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Sweet is the scene where genial friendship plays the pleasing game of interchanging praise.
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I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
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At some particular time, when I was 14 years old, I've done something that people didn't expect.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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I want to save duets and collaborations for outside of the album. With the albums, I like it just being me.
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Enable every woman who can work to take her place on the labour front, under the principle of equal pay for equal work.
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The principles governing Western democracies, of which Israel rightly considers itself a part, are based on the assurance that everyone has a vote, but also that the minority needs to yield to the wishes of the majority.
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I think the premise of somebody trying to recreate a night from their teenage years stuck with me as something potentially very tragically comic.
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I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
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I will count to 10 before tweeting.
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I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile.
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It's certainly not a shock to find that the industry has no imagination. I think people don't know what it is I do. Because half the time you're talking to people who are in their 20s, and I've been doing this for over 25 years.
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I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
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Nine times out of ten, in the arts as in life, there is actually no truth to be discovered; there is only error to be exposed.
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I receive many letters from people hoping to research their own houses.
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I know there are lots of positives in the evolution of technology, but I also think it will be responsible for the end of a unique character, of a specific kind of geographical culture. The world is getting so small, and mass production is getting so big. Everything is in danger of becoming the same.
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Everyone watches everyone pitch. If they're doing good, you're trying to take something out of them. I've taken something from probably every average to above-average pitcher I've ever played with - what they do. You see what they do and how you can put that into your game.
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I remember doing my mosaics or being in my little hiding place behind the couch snooping. I'd get bored sometimes, of course, but I think that's good for a kid, because it forces you to be creative.
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Think of every character as a main character. They believe they're the main characters in their stories. No one should just be an obstacle.
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You dont do an experimental film to become rich, so the people who are involved are involved because they enjoy the creative aspect of it.
