Isaac Rosenberg Quotes
Quotes to Explore
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I love everything that's beautiful. A lot of things.
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I love to be in the moment. I love to analyse things a bit.
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I had a lot of energy, and my mom decided to look for a place where I can spend the energy, because I was jumping on the couch and furniture, and I was jumping on the top of the things in the house.
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I tend not to look back. It's confusing.
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It's too bad I'm not a flirt. When I'm on the sets, I'm too busy working on my scenes to look at the ladies.
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I don't like things like little sandals that look fragile. I like to look strong and commanding.
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Life's a bit like mountaineering - never look down.
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There are some seminal things that happened in the '70s for me: Billy Joel and Jackson 5.
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I like to look for patterns in science and life. It's what I do.
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Look, there is a sort of old view about class which is a very simplistic view that we have got the working class, the middle class and the upper class, I think it is more complicated than that.
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For myself I don't like the geisha look. It's like a mask.
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The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'
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You can always tell an actor by the bored look in their eye whenever someone else is talking.
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Sure, being a reservist wasn't as glamorous, but I was the one who had to look at myself in the mirror.
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It's all in how you look at your life, because no one has a wonderful life. But you can make it what you want it to be.
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When politicians offer you something for nothing, or something that sounds too good to be true, it's always worth taking a careful second look.
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The universe is always speaking to us... sending us little messages, causing coincidences and serendipities, reminding us to stop, to look around, to believe in something else, something more.
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I've noticed if you look too far ahead, it only works negatively on you.
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I feel like my life has been very serendipitous and really kind of humorous. Everything that's happened to me has been like an, 'Omigod, are you kidding me?'
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On a day of burial there is no perspective--for space itself is annihilated. Your dead friend is still a fragmentary being. The day you bury him is a day of chores and crowds, of hands false or true to be shaken, of the immediate cares of mourning. The dead friend will not really die until tomorrow, when silence is round you again. Then he will show himself complete, as he was--to tear himself away, as he was, from the substantial you. Only then will you cry out because of him who is leaving and whom you cannot detain.
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I read French much better than I speak.
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I cant look at things in the simple, large way that great poets do.
