Sandra Cisneros Quotes
When I was writing Caramelo the last couple of years, a sixty-hour work week was normal. And now I'm lucky if I have eight hours.
Quotes to Explore
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In Paris, AIDS was dismissed as an American phobia until French people started dying; then everyone said, 'Well, you have to die some way or another.' If Americans were hysterical and pragmatic, the French were fatalistic: depressed but determined to keep the party going.
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Unfortunately, there is still much to mine in this world and explore creatively.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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I'm a very anxious, nervy kind of loser in many ways, and I get very stressed and a little tense.
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I think the government must recognise that the wounds of conflict are even more grievous on the mind than the body, and indeed may even serve to fuel further conflict. Where conflict cannot be avoided, provision of adequate psychosocial services to prevent the adverse mental health consequences should take priority.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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'Motorcycle Diaries' had the best costumes - that battered jacket and those linen shirts. I wear linen shirts in real life, too, and I have a nice, simple number I got handed down. As a father, you just stop buying stuff for yourself. It's all for the kids.
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One of my side strange abilities is to hear a good song, no matter how it's being performed. Even if you get a bad performance, I can still hear that there's a good song.
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There is not love where there is no will.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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With each new book, the march of our national history takes a step forward. When one is present at a book launch, one is bearing witness to the birth of a new body of ideas, to the coming into being of another testimony of history.
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Acting was something I had to do.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I definitely want to be an inspiration or a role model for all the little girls out there or anyone out there that wants to break stereotypes. I feel like I'm breaking stereotypes with what I'm doing. I'm not the typical fighter, and there's a lot of people out there that won't do something just because they don't fit the stereotype.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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Eventually, all mentor-disciple relationships are meant to pull apart, usually sometime in the mid-30s. Those who hang on, eventually the mentor drops the disciple, and that's no fun.
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I'm not an artist that makes singles, I'm an artist that makes albums, and it's a totally different thing.
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Probably, no nation is rich enough to pay for both war and civilization. We must make our choice; we cannot have both.
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I believe today that there is no film and no shot in a film that is worth a squirrel getting a sprained ankle.
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I think what constitutes rock nowadays is people that actually play and sing. They can do the job live with no ProTools or embellishments or other recorded material.
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I came back to a couple of homecoming events, like when I went into the Wall of Fame. And I have been in La Crosse for a couple of physical therapy conferences. Every time, I sneak into Mitchell Hall and look at the (championship) banner. It brings back great memories.
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No one was ever saved because his sins were small; no one was ever rejected on account of the greatness of his sins. Where sin abounded, grace shall much more abound.
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I hope, for my generation and for children at high school aspiring to be rugby players, that they will hear the name Speight and associate it with rugby more than anything else.
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When I was writing Caramelo the last couple of years, a sixty-hour work week was normal. And now I'm lucky if I have eight hours.
