Sandra Cisneros Quotes
Quotes to Explore
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How small a part of time they share, That are so wondrous sweet and fair!
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In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about improvisation, but the musicianship required is kind of insane. To actually play with real jazz musicians is a different level of musicianship that almost has no equal in any other form of music in the world.
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We all have our strengths and our failings.
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I know it can be dangerous, but I love racing. I worry my wife, but she knows it's important to me.
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It is no surprise that companies do not often respond to moral pressure alone. We need to hit them hard in their pocketbook and on their balance sheet. We need to show them that their stock prices will be affected if their actions encourage Iran's nuclear weapons ambitions.
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Corporations cannot commit treason, or be outlawed or excommunicated, for they have no souls.
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I remember when the palm trees were short and Tomorrowland was modern.
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I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
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The power should be in individual democracies in individual communities. It shouldn't be an oligarchy or some small group of elite. Power should be with the people and not with some politician or some heir to the throne or some madman.
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If anybody's getting a shot, somebody's getting a shot against me because I'm the guy to beat.
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I think a lot of a man's outlook in life - at least mine - is shaped by his relationship with his father.
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Movement of people is taking place on an immense scale, and from a European perspective, the number of potential future immigrants seems limitless.
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Clinton was super attuned to other people to the point where he talks about feeling other people's pain. Clinton is probably the most buoyant, resilient person in American political history.
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When I was 14, I had no pressure. I was a kid, and I didn't understand all the attention.
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I can get obsessed by anything if I look at it long enough. That's the curse of being a photographer.
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There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
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It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
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I am the jongleur. I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the big shots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and... pssss... they deflate.
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In order to become prosperous, a person must initially work very hard, so he or she has to sacrifice a lot of leisure time.
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I do want to be a representative of the African community, and I want to hold myself and dress myself in a way that reflects that. I want black kids to see me and think, 'Okay, he's carrying himself as a black man, and that's how a black man should carry himself.'
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It's great we have a female Thor. It's great we have a black Captain America. But those are just optics; it's optics of change... Unless you have the structural diversity, the structural change behind the scenes - more women, more people of color actually calling the shots and editing these books - those optics won't last.
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The imaginary world has always been the most fun place for me to be.
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The world we live in is a house on fire and the people we love are burning.
