Sandy Gallin Quotes
Quotes to Explore
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They're anti-government ideologues who dominate the Republican Party.
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I search for surprise in my architecture. A work of art should cause the emotion of newness.
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It makes me proud, and it makes me scared. More than anything, I want to be an actor and I want to keep working, and I think there's a danger in being perceived as a poster boy for something.
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A disaster where marble has been substituted for imagination.
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You're dead," I repeated. "So why are you in my dream?" He raised the bill of his olive drab ball cap with one finger. " Good question. Morbid, isn't it?" "What?" "Dreaming about dead peolpe. Creepy. You ever see a therapist about that?" "I'm not -" Even in dreams, I couldn't win an argument. Even when he was dead.
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The man has a theory. The woman has hipbones. Here comes Death.
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My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
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I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
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Artists - musicians, painters, writers, poets - always seem to have had the most accurate perception of what is really going on around them, not the official version or the popular perception of contemporary life.
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My family was dubbed the loud family, but that was mostly because of my mother.
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you must cry out if you want help. It is no use whatsoever to suffer in silence. Who will succour the drowning man if he does not clamour for his life?
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The Western world is having an identity crisis.
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God created seaweed… The seaweed made the world.
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Tell the truth and you won't have so much to remember.
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Along with success comes a reputation for wisdom.
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I always wanted to be a scientist. I don't really have any writer friends.
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I remember teaching a clinic to other coaches, and a guy raised his hand and asked if I had any advice when it came to coaching women. I leveled him with a death-ray stare, and said, 'Go home and coach basketball.'
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Sex is the ersatz or substitute religion of the 20th Century.
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I never know where I am going, though. That is part of what makes it so wonderful. And after all, who does?
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The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the Centre Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou."
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I love collections of things, but always in moderation.
