Saoirse Ronan Quotes
There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that; I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.
Quotes to Explore
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The role of designers and product makers is to really become much better editors. What kind of functionality is actually needed - and truly delightful - to consumers? Remove all the extraneous stuff.
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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When I was young, I admired clever people. Now that I am old, I admire kind people.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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I'm not the kind of director who aims to send a message out.
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I became kind of a drop-out in science after I came back to America. I wanted to photograph.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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I need to make things mine. It annoys me to buy something that is imposed on me. When I have a suit made, I go to the Sicilian tailor Alessandro Martorana in Turin. I like shorter jacket sleeves and often fold the cuffs up. It's more modern that way.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
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When people are very damaged, they can often meet the world with a kind of defiance.
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I think you kind of have to put yourself out there.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I don't think anyone's made a videogame yet that is me as the target audience.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules. You had Jeffrey Hinton playing every kind of music. It was like going back to when I used to deejay at Planet in '79, where you'd mix in nutty things like hip-hop or reggae or The Sound of Music 1965 or other film soundtracks - whatever.
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My quest to find a great role for myself started long before this film "Our Brand Is Crisis"came around.
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The street in the center of town was Butts road. I stole the sign and told the audience, this must be where the assholes live. I also had a Neighborhood Crime Watch - it takes about 20 seconds to break into a house but it took me an hour to unbolt this sign.
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Diversity in the industry is very lacking, and equal opportunity comes very far and few between for people of color.
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There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that; I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.
