Eric Lynn Wright (Eazy-E) Quotes
If we could, we'd change a lot of things. But the only thing that's going to really change things is money and time. And time might just make it worse, too.
Quotes to Explore
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I've always enjoyed poor health.
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When I was 13, I had these episodes where I could just see the world without any words attached to it, without any associations. It was a little bit spooky. A lot of people might have even thought it was pathological. I thought it was interesting.
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I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
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Playing drums feels like coming home for me. Even during the White Stripes I thought: 'I'll do this for now, but I'm really a drummer.' That's what I'll put on my passport application.
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I've been accused of having very long ingredient lists, and I guess there's some truth in that.
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There is one thing women can never take away from men. We die sooner.
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One of my favorite things about what I do for a living is that there is no certainty that, at any hour of any day, I could get a phone call that could change everything. Good or bad. I never know.
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I got drunk when I was five. Everybody gets drunk before they're 21.
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The horror genre is not my favorite. I think it's fun, there's a great place for it and I get a kick out of it, but some stuff I'm too old for. You can't just take 10 guys and stick them in a cabin and off them one at a time - I'm not vested.
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I went to the Technion and studied with Avram Hershko. I found it more exciting than practicing medicine.
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I'll never do a film because it's a massive budget and I'm gonna get lots of publicity for it and it will bring something else.
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Hedge funds are not especially liquid. Many are 'gated' - meaning there are only small windows when you can withdraw your money. They typically have a high minimum investment and often require investors keep their money in the fund for at least one year.
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Sandy Koufax went to the same school as me. I graduated two years ahead of Sandy.
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Practically, I am interested in television because it keeps me home and it's fast, and I exist in independent films mostly, and you don't get paid for those, or you don't get paid enough.
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My movies are, more or less, very short. I'm terrified of boring an audience.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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You can take the boy out of Bombay; you can't take Bombay out of the boy, you know.
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And eventually as I kept writing it, something emerged that was not quite me but a version of me.
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I think the chance of finding beauty is higher if you don't work on it directly. Beauty in architecture is driven by practicality. This is what you learn from studying the old townscapes of the Swiss farmers.
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If you get anything creative going, then the work and play thing is the same thing, I feel.
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Empathy is about standing in someone else's shoes, feeling with his or her heart, seeing with his or her eyes. Not only is empathy hard to outsource and automate, but it makes the world a better place.
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There's a really great feeling among the Australians in Hollywood. There's so many of us, and we all support each other, and it's a really nice feeling, being able to sit back and see so many people doing so well.
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I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time.
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If we could, we'd change a lot of things. But the only thing that's going to really change things is money and time. And time might just make it worse, too.
