Sara Gilbert Quotes
I love being the age I am, because if there's enough pain or grief, I have enough experience now to realize that there's joy coming around the corner.
Quotes to Explore
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I didn't want to be a slave to any passion anymore. I gave up card playing altogether, even bridge and gambling - more or less. It took me a few years to get out of it.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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Leading from behind doesn't work.
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You do not want to get married at 22! Especially if you're famous, because girls are going to be throwing themselves at you.
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I'm a great believer in letting lyrics just flow out, wherever they come from.
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People tried to make me something that I wasn't at the beginning of my career.
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I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.
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I often use hypothetical situations to generate information and imagery for paintings and to create a fictional space where a subject can be put into play.
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Souffles don't deserve their reputation as potential disasters.
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A woman is the only thing I am afraid of that I know will not hurt me.
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Let's take up the most important issues first. Let's take up the reauthorizations first; let's take up the appropriations bill first, not wait until four days beforehand - no one has mentioned anything, and, all of a sudden, somebody looks at their watch and says, 'Hey, in four days, the government is going to run out of money.'
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Under so much pressure and the situation that I was in, that was the personality that came across with me.
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I love Austin for vintage shopping, and there are some really good places in L.A., too.
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I'm doing what I wanted to do since I was a young girl. I pinch myself every day to make sure it's true.
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I was an arrogant man. I not only thought I could manage my life without help, I wanted it that way. I had best-selling books and a TV show and movie contracts; I felt invincible, secure in the thought that everything was my doing. And then, like all arrogant men, I came to stumble.
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The 19th century became the age of the museum. Objects were scrambled for, specimens seized, and friezes and antiques grasped.
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I like to call it 'album making' because everybody hears the word scrapbooking and thinks, 'All the glue and the glitter - I don't have time for that!'
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We were so busy that we didn't have time to think about how terrible it was or - in fact it felt strangely natural.
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That feeling of freedom, open highways of possibilities, has kind of been lost to materialism and marketing.
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I feel that I have an impractical and deleterious snobbery about the relation of literature to the market. I thought, 'I've become the kind of crap you buy at airports!' It was exciting, but it was not a fantasy I'd ever had.
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I am happy that thousands of students, young designers and fashion people will be able to see and study my work in every aspect of it.
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Adversity gives birth to greatness. The greater the challenges and difficulties we face, the greater the opportunity we have to grow and develop as people. A life without adversity, a life of ease and comfort, produces nothing and leaves us with nothing. This is one of the indisputable facts of life.
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And the marvellous rose became crimson, like the rose of the eastern sky. Crimson was the girdle of petals, and crimson as a ruby was the heart.
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I love being the age I am, because if there's enough pain or grief, I have enough experience now to realize that there's joy coming around the corner.
