Sara Zarr Quotes
Quotes to Explore
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
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Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all.
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I'm not afraid to die - it's just that I had so much left to do in this world.
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I've always thought Juliette Lewis was great.
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I hadn't thought that women were particularly dangerous golfers. Could that be the reason that the Augusta National Golf club refuses to take down its 'No Women Allowed' sign?
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The whole issue is that everyone would love to do theater, but it doesn't pay enough, so to do music theater on TV, that's the ultimate dream.
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I'm trying to equalise the world to say there is no high and low.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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I think if one wants to be in a continual state of insanity one should stay married to that writing partner.
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My mom was an actress in the local Seattle theater doing experimental plays.
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When you are poor, you'll have to think of ways to be better off.
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When you make a movie, it's up to so many things and so many people.
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I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.
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I kind of always struggled writing in Malay, because Malay is such a beautiful language. And it gets really hard, you know, if you want to make it into a song. You have to make it sound beautiful, use the right words.
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Poor is the man whose pleasures depend on the permission of another.
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I've been taking batting practice in my barn where nobody can see me, so I may be better than anyone thinks.
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I was frequently told at drama school that I was thinking too much. And I still have to suppress that part of me because it can sometimes be a hindrance.
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Everything can happen, everything is possible and probable. Time and place do not exist; on a significant bases of reality, the imagination spins, weaving new patterns; a mixture of memories, experiences, free fancies, incongruities and improvisations.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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I wonder how you're supposed to know the exact moment when there's no more hope.
