Sara Zarr Quotes
Quotes to Explore
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
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Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all.
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I'm not afraid to die - it's just that I had so much left to do in this world.
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I've always thought Juliette Lewis was great.
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I hadn't thought that women were particularly dangerous golfers. Could that be the reason that the Augusta National Golf club refuses to take down its 'No Women Allowed' sign?
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The whole issue is that everyone would love to do theater, but it doesn't pay enough, so to do music theater on TV, that's the ultimate dream.
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I'm trying to equalise the world to say there is no high and low.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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I think if one wants to be in a continual state of insanity one should stay married to that writing partner.
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My mom was an actress in the local Seattle theater doing experimental plays.
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When you are poor, you'll have to think of ways to be better off.
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When you make a movie, it's up to so many things and so many people.
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I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.
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I kind of always struggled writing in Malay, because Malay is such a beautiful language. And it gets really hard, you know, if you want to make it into a song. You have to make it sound beautiful, use the right words.
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Poor is the man whose pleasures depend on the permission of another.
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I've been taking batting practice in my barn where nobody can see me, so I may be better than anyone thinks.
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I was frequently told at drama school that I was thinking too much. And I still have to suppress that part of me because it can sometimes be a hindrance.
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If one should give me a dish of sand, and tell me there were particles of iron in it, I might look for them with my eyes, and search for them with my clumsy fingers, and be unable to detect them; but let me take a magnet and sweep through it, and how would it draw to itself the almost invisible particles by the mere power of attraction. The unthankful heart, like my finger in the sand, discovers no mercies; but let the thankful heart sweep through the day, and as the magnet finds the iron, so it will find, in every hour, some Heavenly blessings.
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The main thing for me is to make sure our home is peaceful, that it's healthy, that the kids are good.
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One knows less about one's own destiny than about anything else on earth.
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Portland has influenced me in that it is very much where I feel most "at home" in the world. I grew up there. My family is there, my closest friends are there; my favorite bookstore, record store and coffee joint are there. Portland changed a lot during the eight years I lived in Bellingham but, every time I went back, it always felt like home.
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Odd, the years it took to learn one simple fact: that the prize just ahead, the next job, publication, love affair, marriage always seemed to hold the key to satisfaction but never, in the longer run, sufficed.
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I wonder how you're supposed to know the exact moment when there's no more hope.
