Sara Zarr Quotes
Quotes to Explore
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
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Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all.
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I'm not afraid to die - it's just that I had so much left to do in this world.
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I've always thought Juliette Lewis was great.
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I hadn't thought that women were particularly dangerous golfers. Could that be the reason that the Augusta National Golf club refuses to take down its 'No Women Allowed' sign?
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The whole issue is that everyone would love to do theater, but it doesn't pay enough, so to do music theater on TV, that's the ultimate dream.
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I'm trying to equalise the world to say there is no high and low.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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I think if one wants to be in a continual state of insanity one should stay married to that writing partner.
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My mom was an actress in the local Seattle theater doing experimental plays.
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When you are poor, you'll have to think of ways to be better off.
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When you make a movie, it's up to so many things and so many people.
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I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.
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I kind of always struggled writing in Malay, because Malay is such a beautiful language. And it gets really hard, you know, if you want to make it into a song. You have to make it sound beautiful, use the right words.
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Poor is the man whose pleasures depend on the permission of another.
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I've been taking batting practice in my barn where nobody can see me, so I may be better than anyone thinks.
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I was frequently told at drama school that I was thinking too much. And I still have to suppress that part of me because it can sometimes be a hindrance.
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They all start competing against Lincoln as the greatest president. And the [library] building becomes the symbol, the memorial to that dream.
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Do the one thing you think you cannot do. Fail at it. Try again. Do better the second time. The only people who never tumble are those who never mount the high wire. This is your moment. Own it.
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I would like to do a movie where the moments could be extended and you could have the freedom of that, but I'm not precious, if it moves the story and doesn't take away from it.
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I wonder how you're supposed to know the exact moment when there's no more hope.
