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Forgetting isn't enough. You can paddle away from the memories and think they are gone. But they will keep floating back, again and again and agian. They circle you, like sharks. Until, unless, something, someone? Can do more than just cover the wound.
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Sometimes you should have something you don't need but that you want.
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That's how life feels to me. Everyone is doing it; everyone knows how. To live and be who they are and find a place, find a moment. I'm still waiting.
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Remember that no matter where I am or what I'm doing I've got a special place inside me that's all for you. It's been there since the day we met.
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You were never what I wanted to forget.
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Don’t mistake a new place for a new you.
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The Lord doesn't give a person more than he knows they can bear.
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My books have been translated into various languages and sold in other countries, but I never have any contact with the foreign publishers and am so disconnected from that process that it seems almost imaginary. With 'How to Save a Life', I worked closely with Usborne editors and have been involved in the publicity.
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we had each other. I never needed anyone else. That’s the difference between you and me. You need all these people around you. Your friends, your boyfriend, everyone. Every single person has to like you. I only ever needed one person. Only ever needed you.
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the past only had whatever power you gave it; life was what you made it and if you wanted something different from what you had, it was up to you to make it happen.
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My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.
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No one measures a life in weeks and days. You measure life in years and by the things that happen to you.
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I don’t want these memories to become slippery, to just disappear into the thin air of life the way most things seem to. I want them to stick – even the bad ones – so I repeat them often.
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My first job is to write the characters as full and authentic people as well as I can.
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My first published book, Story of a Girl, was the fourth book I wrote.
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I don't yell back at my mother. When I'm angry or scared or upset, I don't yell. I stay quiet. I've seen how she is, how she would get with Kent and with me and with other people, life if someone at the pharmacy got in the wrong line or asked too long a question, or if someone on the bus accidentally bumped her. I've watched her my whole life, the way people react to her. It doesn't actually help you get what you want, yelling and being like that. It only makes people think bad of you.
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I'm not really a plot writer - I'm more interested in the characters and sort of small events that propel the story forward.
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Can it really be love if we don't talk that much, don't see each other? Isn't love something that happens between people who spend time together and know each other's faults and take care of each other?...In the end, I decide that the mark we've left on each other is the color and shape of love.
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Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.
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It makes me think of Lazarus. He must have had those shadows after his miracle. You don't spend time in the tomb without it changing you, and everyone who was waiting for you to come out.
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One of my favorite authors is Robert Cormier. He was a devout Catholic and a very nice man, which might not be the impression you get from reading his books.
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And he left. I watched him walk out – he didn’t say good-bye, he didn’t even look back. It scared me, how easy it was for him to do that.
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Life was mostly made up of things you couldn’t control, full of surprises, and they weren’t always good. Life wasn’t what you made it. You were what life made you.
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It's a jagged thing in my throat, how much I miss her.