Sarah Jessica Parker Quotes
I took a page from the playwright Wendy Wasserstein's book. She said 'I'm not a feminist, I'm a humanist.'
Quotes to Explore
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A beautiful print is a thing in itself, not just a halfway house on the way to the page.
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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But it's the particularity of a place, the physical experience of being in a place, that makes it onto the page. That's why I don't just do library research. I very rarely write about somewhere I haven't been.
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I want the reader to turn the page and keep on turning until the end.
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Sometimes the characters develop almost without your knowing it. You find them doing things you hadn't planned on, and then I have to go back to page 42 and fix things. I'm not recommending it as a way to write. It's very sloppy, but it works for me.
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I like writing a lot more than I used to. I used to find it scary but now I've got used to it once it gets going. I used to find it hard to start. Fear of the blank page. The first thing you write down won't bear any relation to what's in your head and that's always disappointing.
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In a normal movie, you'd never see one guy talk for an entire page, whether good or bad.
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I enjoy the freedom of the blank page.
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I don't have an e-reader. One reason is that I like to dog-ear the page when I find a particularly good sentence or passage.
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Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics.
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Poetry and lyrics are very similar. Making words bounce off a page.
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I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.
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I think when you go to a store and you go to the Justin Timberlake page and stream it from there, that's great, but that means you went to the store. iTunes Radio lets you discover it without you having to think about it.
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I have on my wall right now a front page of the 'Journal' from January 1991, when I co-wrote a front-page story about Iraq firing missiles at Israel. By October, I was writing about tech products.
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To me, a staircase looks like a series of dark and light horizontal stripes, which is exactly how you'd draw a staircase. So I know how the image is going to look on the page.
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Sometimes I have problems where I get into a mode where even just looking at a page on a screen makes me panic. And getting past that is a really intense thing to do.
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I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.
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My work became a bridge that had to be crossed by young feminists working with their bodies.
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Anything that brings people to see Shakespeare is fine by me. He's the great humanist.
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This claustrophobia was the only weakness I had. It's not my fault. It's just in my mind.
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I can write all the way through the morning, when my mind is clear, and there are no distractions.
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Many teachers think of children as immature adults. It might lead to better and more 'respectful' teaching, if we thought of adults as atrophied children.
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I took a page from the playwright Wendy Wasserstein's book. She said 'I'm not a feminist, I'm a humanist.'
