Gaby Hoffmann Quotes
Quotes to Explore
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The problem with independent films is that they can be hit or miss. I've seen scripts that have blown me away. But there have to be all the right ingredients in place to make them work: the director, cast, publicity, distribution.
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I find the education I got from living in Derby and being streetwise and knowing the people that I know, the lessons that I had to learn growing up, have set me in good stead for this kind of working life.
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What greater challenge today.. ..to disorder and insensitivity; what greater propaganda for integration than this emotionally intense, dramatic division of space? quote in 1943, discussing the art of Piet Mondrian
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I find inspiration and rhythm in everything. Really I do. And I find inspiration in the really quiet moments.
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My first show was when I was a high school freshman, but it was at the junior class dance. My older friend and bandmate booked it.
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Onstage I do all the stuff I'd never do in real life, like lashing out at people who make me mad or freaking out in a long bank lineup. Performing allows me to fulfill all the sicko fantasies I've ever had.
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What it was at the time was literally a plea for, to get the pressure off for a while, to give her space to breathe. She was very unhappy. She was feeling pretty claustrophobic.
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Every sin is the result of a collaboration.
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At 21 years old, I found myself in Vancouver, and that's where I got the part for my first movie. I was sitting in a restaurant, and the director came up to me and asked me to read for his film. I really took it with a grain of salt. It was the creepiest casting situation, probably. It turned out that it wasn't.
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I love myself a truffle. I can put a truffle in anything and make it good.
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You are not always going to have your A game; you might have your D game. You have to find a way to throw strikes no matter what.
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I think I give myself high marks being an entrepreneur and entrepreneuring a big idea about how popular social gaming could be. But I learned a lot of hard lessons on the CEO front... and do not give myself very high marks as a CEO of a large-scale company.
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I enjoy being characters rather than myself.
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I don't know how I dealt with it. I went to a shrink.
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Maybe God has let everybody who ever lived be reborn - so he or she can see how it ends. Even Pitecanthropus erectus and Australopithecus and Sinanthropus pekensis and the Neanderthalers are back on Earth - to see how it ends. They're all on Times Square - making change for peepshows. Or recruiting Marines.
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A woman materialises behind Prospero - leaning lightly on the back of his chair - she is alternately a Titianesque nude and then the Vesalius figure - flayed … she leans lightly over and kisses Prospero on the cheek. The kiss leaves a blood-red mark on his withered cheek. Prospero shivers.
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Last week I was just someone who had had a first novel published.
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I'm quite good at not writing.
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I will, proudly and by preference, do at least one picture a year for King Brothers, and I will try to make it the best picture that I have it in me to do.
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There's a different energy with a female director, a female at the head of the production. I don't prefer one over the other, but they're definitely different experiences, and I would love to have more of them.
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There's no such thing as too much. If there's too much, then that's a great thing.
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I curate my T.V.-watching quite carefully.
