Saul Bellow Quotes
Any artist should be grateful for a naive grace which puts him beyond the need to reason elaborately.
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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The impact of any particular writer on your own work is hard to discern.
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The life of an actor is never one to get comfortable.
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You know, I've sold a lot of bad movies in my time.
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I don't have business with any politicians.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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Hopefully in the future, generational challenges will be measured by achievement, not gender.
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We move sometimes. We send messages to each other. We talk on the phone. Tell me, what can we do?
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I don't study cricket too much. Whatever I have learned or experienced is through cricket I've played on the field, and whatever little I have watched.
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I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
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I'm like all parents who try to shelter their children.
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Each one of us requires the spur of insecurity to force us to do our best.
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When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
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To harmonize the One with the Many, this is indeed a difficult adjustment, perhaps the most difficult of all, and so important, withal, that nations have perished from their failure to achieve it.
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I don't like writing with real people in mind.
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I don't think that technology is going to allow for greater subjugation of people. I think it's gonna give them more freedom.
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Hospitals are about healing.
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Chelsea have made a good investment for me, but I did not put any pressure on them.
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I did three and a half years in the architecture school with no real love or feel for it. After quite a while I realized I don't like to pick up a pen and freely sketch and let my imagination run towards structures. And if I don't have that natural desire, what am I doing here? How did I let this illusion go on so long?
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I never play without my cape.
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How we handle our fears will determine where we go with the rest of our lives.
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Any artist should be grateful for a naive grace which puts him beyond the need to reason elaborately.
