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I always got a bit pissed off with those broadsheet sceptics who make their living being passionately angry about homeopathy, God, synchronicity or whatever, because it's as if they can't get past their emotions, and in their rage they become as faith-driven as the beliefs they criticise. I always said they give scientists a bad name. After all, science has to be about asking unthinkable questions, not closing down debate.
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Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them.
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One of the biggest problems for beginning writers is this need to over-explain.
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In real life nothing means anything. Stuff happens and there just is no structure.
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Real life is physical. Give me books instead. Give me the invisibility of the contents of books, the thoughts, the ideas, the images. Let me become part of a book. . . . an intertextual being: a book cyborg, or, considering that books aren't cybernetic, perhaps a bibliorg.
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Routine kills creative thought.
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I think predictability is built into any good novel in some way - you begin reading Anna Karenina and you know pretty much what's going to happen at the end. But that doesn't mean you know what's going to happen in the middle. For me, it's that sense of what happens in the middle that's important.
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You can't do science in a novel, but you can do philosophy. Or, if you're really lucky, you can manage to pose a question in such a way that other people will take it on.
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I pray for meaning. I pray for the limits of reality to become clear. For a world – and a type of being – that makes sense. I pray for a life after death that is not like this life. I pray for the end of mystery. What would a life be like with all the mysteries solved? If there were no questions, there’d be no stories. If there were no stories, there’d be no language. If there was no language there’d be no . . . What?
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I hate stereotypes and I hate cliche.
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Everything I know I imagine everyone else knows as well. And then everything that everyone else knows I imagine they know on top of what I know, so I'm constantly anxious about what everyone else knows.
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If something wants to be a story, it will be.