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I have tough skin. I don't really read any of the comments unless they are positive. I don't accept that much negativity in my life. It's not an option.
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I had fun to be a little bit of a nerd.
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I think you just learn a lot of stuff in general about all the stuff he Edward Snowden released. I think there's probably a lot that we don't know. That's what is really interesting.
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Romantic dramas? I love The Notebook. Titanic was great. Classic.
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I hate watching myself. It's terrible. It's horrifying.
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What I've discovered from working with my father is that I'm still learning. I'm just a kid in this business. And I've seen from my father transitioning into being a director, that's where the power lies. And, like he says, it's feast or famine for an actor. If you're not creating your own material, then you're just fighting for whatever's out there. I definitely have the desire to go to the other side.
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I'm pathetic when it comes to the Internet and getting stuff done.
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I remember something Clint Eastwood told me early on. I don't remember how old I was when you told me this, Dad. But you said, "As an actor, I never went back to my trailer. I always hung out on set and learned." That stuck with me.
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I want to be a man's man - not a kid actor or a glitzy pop star but a no-bullshit leading man.
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I like a lot of Tom Cruise's roles, he's this action hero.
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What Clint Eastwood meant was when you are directing and starring in a film, there's a temptation to spend more time on the other actors' performances, and then when you get to your own work, you kind of go, "Oh, yeah, well, let's cut that." And he said, "Take your time and make sure you do your work right." It's especially good advice if you're going from one career to another.
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Really I'm a fan of any movie, whether it's suspense, action, or comedy, anything that has a good story.
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They were actually really nice to me in Fast 8. We had BBQs every day on set. We had a lot of laughs and a lot of good times.
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I couldn't say a specific thing, but the media is not really held to high standards anymore.
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I don't want to talk about the vampire schedule. That's just gonna upset me.
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There's the acting side of it so you work with a coach. Dissect a script. If it's a character, then obviously a character study. Just depends on if there is training needed.
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My dad is really old school: "Whatever you do, just be the best at it." He didn't really care if I was a plumber or a roofer. It didn't matter what I did. He said, "Go out and find out what you like to do, and be the best at it."
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Working with David Ayer...the guy is a great filmmaker.
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I lived with my mom in Hawaii until I pissed her off. And then I came to live with my dad and pissed him off. He made me hustle, and claw, and fight. That's all stuff you want. You want that drive.
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What people don't understand about making a film is sometimes your experience on the film shapes who you are. You're gone to another country for five months, maybe more, there's training leading up to it... It's a whole life experience that people don't see because they just see the final product wrapped up in a couple hours. You don't see everything that happens around it. I think it's hard to say one movie or one thing; I think they all shape who you are.
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I normally go-to whiskey on the rocks. Or a beer. Or with dinner, a glass of white wine.
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A cross between Leo DiCaprio's character in Catch Me If You Can and ... I don't know, I really like any of his movies.
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He Oliver Stone is great. I really like working with directors who know what they want and aren't afraid to tell you, "Do it like this. Don't do it like that."
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I never understood actors who could just wait around.