Scott Frank Quotes
I usually write very few stage directions. I think a lot of that is a waste of time. The art of screenwriting is in its terseness, saying a lot with a little. I have no patience when I read a script where the writer describes this guy and what he's wearing and his glasses and his hair.

Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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My kids are free to do what ever they want. Because I only advise. I don't make them do anything.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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There are no limits to our future if we don't put limits on our people.
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Let's just say, if I weren't a model, I'd be a walking collage. I see my body as a blank canvas that's aching to be decorated; I find it all very fascinating.
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We do not need to proselytise either by our speech or by our writing. We can only do so really with our lives. Let our lives be open books for all to study.
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A well-designed 401(k) plan is an enormous competitive edge when recruiting and retaining employees.
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Despise the enemy strategically, but take him seriously tactically.
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When you're creating a fragrance, you're always thinking about what you want that first smell to be, that first reaction. It's a sensation, like a symphony with all of those layers and notes. I love the way it changes and the way it dries down. The fun thing about scent is that it's unique to everyone; pheromones take on a new scent.
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Unfortunately, in the race to the most douchebaggery, Silicon Valley is fast in gaining on Hollywood. That race is neck and neck.
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I don't own cable, but my TV came with a Netflix button.
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I am so lucky that throughout my career I've been able to play such different characters.
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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
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My books are never about the crimes. They are about how the characters react to the crimes.
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I was raised Catholic and I'm Presbyterian now, but I've always been a Christian, regardless of denomination. I believe that Jesus is the way.
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I wanted to figure out how long to cook things. I did some experiments and then wrote a program using Mathematica to model how heat is transferred through food.
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Anybody who has spent time with the networks - in fact, you don't even have to spend time with the networks, all you have to do is just watch primetime TV - and you think, 'What the hell are they doing? I could run the network better.' And I think everybody feels that way.
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Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone.
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And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.
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I came from a real tough neighborhood. Once a guy pulled a knife on me. I knew he wasn't a professional, the knife had butter on it.
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Libraries are as the shrine where all the relics of the ancient saints, full of true virtue, and that without delusion or imposture, are preserved and reposed.
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I think the big thing with O.J. - I've known him since he was in high school - and he's a great kid, loves the game of basketball.
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I usually write very few stage directions. I think a lot of that is a waste of time. The art of screenwriting is in its terseness, saying a lot with a little. I have no patience when I read a script where the writer describes this guy and what he's wearing and his glasses and his hair.