Olivia Wilde Quotes
Quotes to Explore
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You need a routine, to be able to spend some time with a person, and my lifestyle is constantly on the move.
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We are presented with a unique situation in the black community in that we have embraced the beauty of hip hop, the real rawness of it, the real fun of it, but we also have to address the damage it has done. We have to look at what it's done to our black girls, especially when it comes to domestic violence.
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I don't have Gandalf the White's certainty about everything.
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I am highly distressed and offended by what Donald Trump has been saying, and I don't think his nomination is good for the country. I think he would be a terrible president and terrible for our country.
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One of the prices that we pay for integration was the disintegration of the black community.
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The working environment in L.A. is really refreshing, really good. Because in Malaysia, it's a small country - you end up working with the same people that you like and that you know.
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I surround myself with positive, productive people of good will and decency.
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But I'm not objective when I'm acting.
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I was the first actress who branded her own line at a time when everyone just lent their name to a product. Everyone said I shouldn't do it, but it was probably the best thing I've ever done.
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The Democratic Party is the party of the status quo.
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My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
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There's no specific mission statement for the 'Toast.'
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Anybody that believes that a country can be maintained that has no ethnic core to it or no linguistic core to it, I believe, is naive in the extreme.
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I like to smile. I smile even when I'm nervous since it calms me down and shows my friendliness.
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Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.
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Where a city is only focused on one aspect, it becomes a city without a soul, not a city people want to live in.
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In my experience with print journalists, the distinction between remarks being uttered on- or off-the-record is held sacrosanct, but the distinction between truth and falsity sometimes isn't.
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The funny thing is, people's perceptions of what a song is about is usually wrong a majority of the time. But they're still going to read what they want to into it.
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I probably spend the most time with Toews: we have the same schedule, and we're roomies on the road; we sit next to each other. We do a lot of promotions together.
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My direction has never really changed, because I don't think that you can really work gimmicks in gospel music. With gospel music, there is this central theme that always comes around about the love of God, the love of Jesus and the power that you have through Jesus Christ. You don't need a gimmick when you have that.
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'Nathan for You' was my first time being in a writer's room, really.
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'The distinction between children and adults, while probably useful for some purposes, is at bottom a specious one, I feel. There are only individual egos, crazy for love.'
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You do not reach the sublime by degrees; the distance between it and the merely beautiful is infinite.
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Power tends to get confused with repression.
