Scott Speedman Quotes
I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.
Quotes to Explore
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Gossip is the art of saying nothing in a way that leaves practically nothing unsaid.
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It was kind of easier for me to do records that didn't take a year or two years of my life to write and to make.
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To be honest, once you've driven around for about five, 10 laps, you don't notice a difference.
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I loved the glamour and excitement of the games and, in particular, knowing the names of each and every one of the referees - that's because my mom, a former basketball player, would yell at them from our front-row seats for making bad calls!
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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Each generation seems to invent its own reasons for war.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
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I'm nearsighted in my right eye, have glaucoma in my left, and the nerves in my hands are on Medicare. Basically, I'm on the wrong end of a short sale.
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I think that Amanda Nunes and Julianna Pena and Valentina Shevchenko... they've showed how much this level has gone up in female fighting in a very short period of time.
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I've probably read more bad science fiction than anyone else alive. But I've also read more good science fiction than anyone else alive.
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The presumption of innocence, the benefit of the doubt, walking without worrying - these should not be hallmarks of white privilege. They are human rights - human rights - that should be enjoyed by all.
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I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
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I was trying to be Mary Tyler Moore. I loved her in 'The Dick Van Dyke Show.'
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The rules are all in a sixty-four-page pamphlet by Aristotle called 'Poetics.' It was written almost three thousand years ago, but I promise you, if something is wrong with what you're writing, you've probably broken one of Aristotle's rules.
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I was lucky that I got to do films in between seasons of 'Chuck.'
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I was young and so eager to make some money as well as get exposed and show my talent.
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I lived in Texas for 10 years.
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I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
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I think snobbery is one of the oldest customs in the world, and the rich will always find ways to rank each other and make themselves feel more special than others.
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Would you be willing to give your life to save the world if no one ever knew your name? If anonymity was the price you would have to pay for significance, would it be too great a price? To live a life of courage is not a guarantee of prestige or adulation. It only matters if you live and die fulfilling the mission you were born for.
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I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.
