Sean Durkin Quotes
Quotes to Explore
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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When I write a movie, I write it for me.
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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I understand the desire to write and read about the death of publishing. It's a perversely and universally appealing topic.
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Nothing endures but personal qualities.
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I don't write the books. God writes the books and delivers the speeches.
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Every story I create, creates me. I write to create myself.
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I think that ageism is a cultural illness; it's not a personal illness.
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When it comes to the personal essays I write, I just convince myself that no one will ever read them.
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I just write mechanical things.
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The thing is, I live a very public life, and I have to keep things personal, or else I have no personal life. It's very difficult.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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I think I would like to write screenplays, books, really anything.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I write songs that are like diary entries. I have to do it in order to feel sane.
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Nothing personal - I am just doing my job.
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I never aimed to be on television or in the press. We all have a personal life, and being a public figure disrupts that.
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That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
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It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.
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You can't cross the sea merely by standing and staring at the water.
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I worked at the American Conservatory Theater in San Francisco, lived there for three years, and lived in Baltimore for 12 years.
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When you write, no matter what, it ends up personal.