Sean Durkin Quotes
Quotes to Explore
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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I'm a very private person, so obviously I don't enjoy talking about more personal matters.
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When I write a movie, I write it for me.
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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I understand the desire to write and read about the death of publishing. It's a perversely and universally appealing topic.
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Nothing endures but personal qualities.
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I don't write the books. God writes the books and delivers the speeches.
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Every story I create, creates me. I write to create myself.
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Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I think that ageism is a cultural illness; it's not a personal illness.
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When it comes to the personal essays I write, I just convince myself that no one will ever read them.
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I just write mechanical things.
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The thing is, I live a very public life, and I have to keep things personal, or else I have no personal life. It's very difficult.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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I think I would like to write screenplays, books, really anything.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I don't think you should write something as long as a novel around anything that is not of the gravest concern to you and everybody else and for me this is always the conflict between an attraction for the Holy and the disbelief in it that we breathe in with the air of the times.
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You know, it doesn’t matter how beautiful you are, if you don’t have anything interesting to say, then you’re still boring.
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There is a sad disconnectedness that overcomes a library when its owner is gone.
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I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
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When you write, no matter what, it ends up personal.
