Sean Maguire Quotes
I don't want to get pretentious, but there's an art to doing sitcoms; you have to make it work in that format.
Quotes to Explore
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I think wine is such a big universe that it's kind of like food - it's intimidating to a lot of people, myself included.
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And it's one thing to give people freedom and something else to deny the rights of Christians to assert their faith in order to keep Hindus from feeling upset.
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The majority of men meet with failure because of their lack of persistence in creating new plans to take the place of those which fail.
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I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
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I'm not looking for a challenge, necessarily. I'm looking to make a really great film.
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'LazyTown' is on a mission to move the world to be a healthier place. When we get kids moving, we get their families moving. And when families move, we are one step closer to moving the world. Move the body, move the mind, every day.
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I'd love to meet the right girl and have a family. I'm very broody.
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I'm a terrific mimic, and you can feel my funny bone.
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I don't like the 'must', the 'always', and the 'never' words. I don't like 'no' either.
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It would be curious to discover who it is to whom one writes in a diary. Possibly to some mysterious personification of one's own identity.
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Our trouble is that we drink too much tea. I see in this the slow revenge of the Orient, which has diverted the Yellow River down our throats.
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Performers are the neediest people in the world. Unless you've been in that goldfish bowl - nobody can judge unless they've worn those shoes.
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I like the idea of taking a true classic written by a true genius and destroying it essentially! I like the idea of bringing it down to earth a bit - and even a bit lower than that.
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In 'For Whom the Bell Tolls,' Hemingway cozies up to revolution by romanticizing it (and not only with those execrable love scenes).
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As a parent, I have a job as a role model to my children, and by extension, to other young people.
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I listen to older music like AC/DC.
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I was born in Havana, Cuba and raised in Madrid, Spain. Then I moved to New Jersey.
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My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
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A single observation that is inconsistent with some generalization points to the falsehood of the generalization, and thereby 'points to itself'.
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I didn't feel ready to leave home, because it went from no freedom to all freedom. And I was like, 'Oh, my God, I don't know what I'm doing in college.' There seemed to be no like-minded people where I was... I didn't have a clan. I didn't have a choir... There was no safety net.
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I've been on so many movies. Generally, I haven't gotten to be on the ground level. As of two years ago, in 'Dear John,' I got to really be on the ground floor. I wasn't a producer. I felt like I put the work in, and I did have a lot of sway on what got fixed, reshoots, so on and so forth. It felt really good.
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I've never put out a song that I wasn't completely proud of and that I didn't love. In that sense, I've never felt like I sold out in any way.
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I don't want to get pretentious, but there's an art to doing sitcoms; you have to make it work in that format.
