Sean Penn Quotes
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I think if you want good things to happen for a country like Haiti, then you need to provide the circumstances where the Haitians can do that.
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The major studios are by and large banks, and they give you what is by and large a loan to make a movie. Like banks, they want their money back plus.
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Haiti kind of gets a hold of you.
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I can't imagine being quite as lucky at any other time - I certainly never have been before. That goes right down from my producing partners to people like Eddie Vedder. But the two things that make me feel that this was meant to be now and not before was that the story itself has more resonance today - I find it a more important story today than it was then - and Emile.
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Reputations are maintained by the outside world, and they're created by it, too, by and large. And they serve as a hell of a device for privacy, because the more people look for something that's not there, the less chance they have of violating who you are. It's like going out there with a mask on, without having to exercise your upper body to put it on.
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One of the reasons people sell out so quickly is because even the talented think they're frauds. It's a culture that doesn't encourage people to believe in the work they do. You're told to second-guess yourself all the time. That's where I think a little hostility and arrogance can save you. And I've never been lacking for either.
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Putting something in a movie because it's in the news doesn't make it political to me. If you're not going outside the same old, same old, if you're not pushing the envelope, then you're not doing anything. A good movie is a political thing.
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A clearer and more conventional narrative would have helped the film without, in my opinion, lessening its beauty and its impact. Frankly, I'm still trying to figure out what I'm doing there and what I was supposed to add in that context! What's more, Terry Malick himself never managed to explain it to me clearly.
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Jon Krakauer had documented it very accurately and very well but this kid made a real impression on people, and likewise they on him. To talk to them was very moving in many cases because they talk about him like they saw him yesterday. In most cases they knew this kid for a couple of weeks in their whole life and he just lasted with them.
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On a movie, it's always better to stay invisible as much as you can to keep things calm. I like to whisper to my cameraman, I like to whisper to my actors, and whoever else I've gotten to whisper to.
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I don't see myself as a different guy than I was ten years ago. I don't have aspirations to be. It's really about where you're putting your energies. That's changing a lot.
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I don't believe there are climate skeptics. I think there are people who indulge in a culture of what can be reduced to Fox network thinking. That has nothing to do with the politics that apply to the protection of quality of life in any sense. It's like talking to a member of a cult.
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The thing that's very close in the process is writing and acting, not directing. Directing's very different.
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Bukowski said, "I know I'm good, so I like that people think I'm bad, because it gives me a dimension, effortlessly."
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You try to do your best at what you're getting paid for.
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I'm not a breakfast eater.
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Today, maturity is a word I associate with spirituality. It's one of those words that cause people to change their voice. When your voice gets higher because of what you're saying, there's a problem. To me, the conflict of life is part of the joy of life. There's got to be a recognition of the friction that exists. Maturity seems somehow about getting careful. I don't want to be careful.
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I've never really been one to get what they call stage fright so much.
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You're always having to live more to fuel something new. It's an obligation to yourself and to the audience. The personal baggage that comes with being a known actor just adds to that struggle.
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The heartbreak that it might not happen wasn't something that I wanted to face with any more weight. Then, when I got the call to go ahead I never thought for a second as I was approaching it who I would get - that would come later. Again, I think the idea was that I now had the rights to make the movie and I can start writing it but if I have to wait another 10 years before I find an actor that's right for it, I'd be very happy to do that.
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It's only in innocence you find any kind of magic, any kind of courage.
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That was madness. You're never going to bring one of those down with a handgun.
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I don't read newspapers too much , just because they tend to make me feel I have a political obligation that I think is a distraction from what my political offerings are going to be if I just make my movies.
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I had a house burn down once, and everything in life burned except my family, and it was so liberating. I didn't have a bad moment about it. It sort of reinvigorated my interest in a lot of things. I wonder if there should be some kind of anarchy.