Sergio Aragones Quotes
If the gag is complicated, you spend more time thinking about the way you’re drawing it.
Quotes to Explore
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
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Nature can always be more complicated than we imagine.
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I think all children draw, as soon as they figure out the thumb and can grab crayons. The only difference with people like myself is that we never stopped drawing.
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What I think you are going to see is with DACA being gone, it gets rid of the magnet of drawing people over here, thinking they are going to come in and get amnesty.
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It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.
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Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
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I am a very complicated person.
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Those who are in love with practice without knowledge are like the sailor who gets into a ship without rudder or compass and who never can be certain whether he is going. Practice must always be founded on sound theory, and to this Perspective is the guide and the gateway; and without this nothing can be done well in the matter of drawing.
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The artist who parades his drawing, the writer who calls attention to his style, is like the farmer who devotes his energies to polishing farm implements and never uses them.
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On a day-to-day level, I love watching my kids accomplish the little things that seem trivial but are really milestones: seeing my son hit a baseball or watching my daughter draw something that actually looks like what she says she's drawing. Or hearing them say 'I love you.'
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My drawing for women is really curvy. My drawings for men are actually quite angular.
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I've always said the bass just happens to be the crayon I picked out of the box. I'd still be drawing the same pictures... should I have picked trumpet or accordion or guitar, whatever it may be. The sounds in my head are still the same.
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It's self-soothing for me to draw. So if I'm upset, drawing makes me less upset.
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Right now it seems like the girls are drawing more attention to country music.
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What you do is, you have your drawing board and a pencil in hand at the telescope. You look in and you make some markings on the paper and you look in again.
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When I was still in prep school - 14, 15 - I started keeping notebooks, journals. I started writing, almost like landscape drawing or life drawing. I never kept a diary, I never wrote about my day and what happened to me, but I described things.
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Despite our complicated civilization, so called, or perhaps on account of it, we are all of us a mere set of barbarians, who find it less trouble to provide a new, cheap, and shoddy thing than to get the full use and full pleasure out of a finely-made and carefully-chosen old one.
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Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them--whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.
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Money has no color. If you can build a better mousetrap, it won't matter whether you're black or white. People will buy it.
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If the gag is complicated, you spend more time thinking about the way you’re drawing it.
