Auguste Rodin Quotes
The artist who parades his drawing, the writer who calls attention to his style, is like the farmer who devotes his energies to polishing farm implements and never uses them.
Quotes to Explore
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A common mistake people make regarding dining rooms is to buy a matching set of table and chairs, which can be monotonous. I like to mix guest chairs in one style and head chairs in another for a more interesting, dynamic look.
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Let us come to the philosophers, whose authority is of greater weight, and their judgment more to be relied on, because they are believed to have paid attention, not to matters of fiction, but to the investigation of the truth.
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My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
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As a woman, my style defines my leadership. It's a gentler, more compassionate approach. I consult, I listen and I compromise where it's in the best interest of the citizens.
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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As far as people whose style interests me, I'd say Grace Kelly, Gwen, Spice Girls, Victoria Beckham, and that nanny called Fran.
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Some people's personalities are so compelling that they command attention.
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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I have always been interested in having people fall into the image and be aware of their reaction first, and then think about the style.
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When we want to have our own style of living, it is nobody's business but ours. What we do in private is our private business.
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I never set out to write songs about the world around me... it just kind of came about as a result of paying more attention to things.
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It's hard to absorb and to allow all that attention and accolades for 'Rent' because the rest of the country doesn't know who we are. Once I walk out of the door of 'Rent,' and I'm on the subway, it doesn't matter. It's an exaggerated sense of fame.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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I have spent my life paying attention to my art form, developing my art form, worrying about my show and what I'm bringing to people, making sure that I give them a fine trade.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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My therapy has come from paying attention to my life.
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So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
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Every individual has his own style, his own way of presenting himself on and off the field.
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Nabokov's adventures in language and style and naked braininess are really unparalleled.
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The West is in for a long, irregular confrontation - not with terrorism, which is simply a tactic, but with radical Islam.
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We are neurologically hardwired to seek out people like ourselves. We start forming cliques as soon as we're old enough to know what acceptance feels like. We bond together based on anything that we can - music preference, race, gender, the block that we grew up on.
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I had been a journalist in Europe and then went to divinity school in the early 1990s, and came out as somebody who had the perspective of a journalist and was now also theologically educated.
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I was an original Elvis fan. He was the voice of my generation. I was listening to him on the radio when he released his great Sun records with Scotty Moore on electric guitar and Bill Black on bass.
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The artist who parades his drawing, the writer who calls attention to his style, is like the farmer who devotes his energies to polishing farm implements and never uses them.
