Sergio Aragones Quotes
My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
Quotes to Explore
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Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
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My fiance likes drawing on napkins, which I save. I'm always scared I'll get caught taking a linen napkin from a restaurant!
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Stage and film are just two wildly different animals. Why compare the two?
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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The line between anime and regular animation is very difficult to cross, even for people who have been doing anime successfully for years.
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All these police treating our people wrong, man. Black lives matter, but we got fans of all different colors, so all lives matter.
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Not all of us are chameleons that can do every different thing. I hope I'm going to be typecast. I will play the girl next door for the rest of my life if I have to. I always kind of feel like I have that in my pocket when I go in a room.
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I love collaborating with different people.
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I just like to explore all sorts of different forms - no, 'explore' is not even the word - enjoy. You don't want to limit yourself to a particular form.
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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I'm a student of comedy in general, so I've always loved Billy Crystal. But I'm a different type of showman. I'm a clown and a jester.
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I used to play football at school, and I enjoyed really physical sports, but I now try to avoid any sports that might build up different muscles. That might have a negative impact on my archery.
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Shooting at night in Los Angeles is amazing. The city shuts down at 10 P.M. every night, and a whole different cast of characters comes out.
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I was a weirdo. I think I wanted to be liked, but I didn't have the attention or bother to actually make an effort to be. I also think I had a different perception of what I needed to do to be liked.
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I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
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I enjoy learning about different periods and people, and then taking what's universal about the human condition and seeing where it matches up. No matter where you are, certain things unite everybody.
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'Toonami' was a tremendous vehicle, delivering the art of Japanese animation to a massive audience that may have otherwise never experienced it. I feel an immense debt of gratitude to everyone involved with the show and to every fan who supported it.
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Movies will end up being this esoteric art form, where only singular people will put films out in a small group of theaters.
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Labels are for filing. Labels are for clothing. Labels are not for people.
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The happiest stutterers, I learned, are those who are willing to stutter in front of others.
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When I’m creating at the piano, I tend to feel happy;but - the eternal dilemma - how can we be happy amid the unhappines, of other? I’d do everything I could to give everyone a moment of happines. That’s what’s at the heart of my music.
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My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
