Sergio Leone Quotes
You see in Once Upon a Time in the West the whole film moves around her Claudia Cardinale. If you take her out, there's no more film. She's the central motor of the entire happening.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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But the process of making a film is not glamorous. Certainly not my films.
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Film has to describe and show.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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I would heartily welcome the union of East and West provided it is not based on brute force.
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Film has played such a big part in my life, in my impressions of the United States.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Being in a Woody Allen film. I cherish it.
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All my brother Eliot and I did as kids was film sketches.
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The missile that downed the Malaysian plane, they say, is a Russian-made missile. But the weapons that are used in the barbarism in the barbaric act against the Palestinians were made by the West, and nobody is blaming them. Nobody talks about it; not even the U.N. Security Council can pass a resolution against Israel!
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film "Performance".
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There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.
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You see in Once Upon a Time in the West the whole film moves around her Claudia Cardinale. If you take her out, there's no more film. She's the central motor of the entire happening.
