Seth Godin Quotes
Quotes to Explore
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You need to take care of your time and practice, you need to rest and talk to media. So it's really important to organize those things.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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The universal practice of closing the eyes of the dead may be thought to have originated in the desire that he might be prevented from seeing his way.
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I don't want to miss out on the chance of having a good time.
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When in doubt, wear a suit. Look at male politicians: you see them in a suit, and they look fine. But if you see a picture of them on the weekend or on vacation, there's a good chance they look terrible and unstylish.
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When we come to images or memories or thoughts, speculation, while always closely related to practice, is more explicit, and it is in fact not immediately obvious that such processes can be described in any sense as practical.
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Migration - whether emigration or return - at the micro level is an individual choice, and government both at the Centre and the states have role only to facilitate the decision of the individuals.
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The Supreme Court is having a hard time integrating schools. What chance do I have to integrate audiences?
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Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
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When you are discontent, you always want more, more, more. Your desire can never be satisfied. But when you practice contentment, you can say to yourself, 'Oh yes - I already have everything that I really need.'
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Unless you have prepared yourself to profit by your chance, the opportunity will only make you ridiculous. A great occasion is valuable to you just in proportion as you have educated yourself to make use of it.
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In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.
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I started out typing and filing and answering the phones for a little nine-person firm. And that nine-person firm gave me my chance to find my own way.
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That's what is incredible about human beings, is the choice to keep going.
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You can't say the public likes generic characters. Give others a chance, go for a more rooted and honest characterisation, take some risk, and then let the public choose.
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My daughters are here, and that makes me feel good. And with the spirit of Nick Ashford, I think I'll make it through. I have no choice.
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I practice yoga at home to a TV show called 'Inhale,' taught by Steve Ross. I figured that if the people on the show could stretch that deep then I could too. I ended up pulling my hip flexor. But that's how I met my husband. Paul was the physical therapist my coach called to meet with me after hours.
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Every mind must make its choice between truth and repose. It cannot have both.
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Love without choice isn't love at all.
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Outside, the main doors behind him, he was hit full in the chest by autumn. The doggy wind leapt about him and nipped; leaves skirred along the pavement, the scrape of the ferrules of sticks; melancholy, that tetrasyllable, sat on a plinth in the middle of the square. English autumn, and the whistling tiny souls of the dead round the war memorial.
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I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
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Practice works because practice gives us a chance to relax enough to make smart choices.
