Seth Godin Quotes
A well-defined backup plan is sabotage waiting to happen. Why push through the dip, why take the risk, why blow it all when there's the comfortable alternative instead? The people who break through usually have nothing to lose, and they almost never have a backup plan.
Quotes to Explore
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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I'm not a collector of clothes. I've got clothes to wear.
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Sometimes one creates a dynamic impression by saying something, and sometimes one creates as significant an impression by remaining silent.
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You can't create a monster, then whine when it stomps on a few buildings.
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The physicians of one class feel the patients and go away, merely prescribing medicine. As they leave the room they simply ask the patient to take the medicine. They are the poorest class of physicians.
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Temperamentally I'm not a natural producer, because I don't have the patience.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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I think it's a mistake to go after someone just based on looks. But I always respond to people who don't act that interested in me.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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An appeal to fear never finds an echo in German hearts.
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No industry in living memory has collapsed faster than daily print journalism.
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I've probably done more than a thousand interviews, and I can't remember what people asked me two months ago or two days ago.
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We should develop anti-satellite weapons because we could not have prevailed without them in 'Red Storm Rising'.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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Music is changing so quickly, and the landscape of the music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment.
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I've heard 'Uncle Tom's Cabin' read, and I tell you Mrs. Stowe's pen hasn't begun to paint what slavery is as I have seen it at the far South. I've seen de real thing, and I don't want to see it on no stage or in no theater.
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My tactic is to make eyes at someone.
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I'd get a shell, they weighed about 80 pounds I think, but when I was 19 or 20 that was nothing. I'd take a shell and a bag of powder, I'd put it in the hoist and then I would send it up to the gun.
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I do talk to myself, just not in a whisper. But I have caught myself sometimes.
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I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
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If people try to cut sugar out completely, they often splurge later. That isn't a good idea.
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It is what we prevent, rather than what we do that counts most in Government.
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A well-defined backup plan is sabotage waiting to happen. Why push through the dip, why take the risk, why blow it all when there's the comfortable alternative instead? The people who break through usually have nothing to lose, and they almost never have a backup plan.
