Seth Lloyd Quotes
Quotes to Explore
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If you try to create something that everybody can relate to, you're gonna make something that nobody can relate to.
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Why go for a costly, sickly, mass-produced purebred when shelters are full of one-of-a-kind mixed breeds who are literally dying for a home?
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Those guys were made for me and Muhammad because they come straight in and don't back up but you had to watch out for his punching power but if we could have neutralized that then we would have been fine.
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We need to move past blame and make sure we are delivering care to our veterans.
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Take pride in exactly what it is you do and remember it's okay to fail as long as you don't give up.
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If you have something important to say, Broadway and New York are great places to say it.
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The cause of war is preparation for war.
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What goes up can continue.
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Europe in its infinite wisdom decided to deal with this bankruptcy by loading the largest loan in human history on the weakest of shoulders … What we’ve been having ever since is a kind of fiscal waterboarding that has turned this nation into a debt colony.
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In fact, punk rock means exemplary manners to your fellow human being. Fuck being an asshole, what you pussies thought it was twenty years ago.
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The state is suffering from two opposite vices, avarice and luxury; two plagues which, in the past, have been the ruin of every great empire.
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We assert-and on the basis of the most recent socialist literature that you cannot deny-that the real history of capitalism is only now beginning, because capitalism is not just a system of oppression; it also represents a choice of value,…
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It is in the province of home and society that woman has fashioned the customs. Here, women's approval and disapproval, wishes and wants, have been quite as formative and reformative as the action of the sea on the mainland.
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People need realness, reality. People can sense when someone is being pretentious or fake. It's because you feel it; you see it in someone's body language.
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I recently did a play, Athol Fugard's 'Coming Home' at Long Wharf Theatre, where I played one character throughout - I sat at a table and didn't have any costume changes. Following one character's arc from beginning to end is a whole different mindset.
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I took the obligatory economics classes in school, but I've long been a fan of the Milton Friedman philosophy and its libertarian bent: One must be free to do what one wants to do, as long as you don't harm another. This is the seminal treatise on free-market economics.
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Well, I do have some maiden aunts that are not quite like the aunts in the book, but I definitely do have a couple of them, and a couple of old aunties.
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I had no interest or intention of ever writing music. I was a professional violinist in my 20s. I was obsessed with conducting, and I was conducting as much as I could, and I was studying as much as I could. I went to USC; I got an undergrad degree in violin and a master's degree in conducting.
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It's still scary every time I go back to the past. Each morning, my heart catches. When I get there, I remember how the light was, where the draft was coming from, what odors were in the air. When I write, I get all the weeping out.
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We should have a glorious conflagration, if all who cannot put fire into their works would only consent to put their works into the fire.
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No matter who you are or what you intend to do, you should not exceed the boundaries of the rule of law.
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I think I'm very old-fashioned.
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At some point, Moore's law will break down.
