Barry Jenkins Quotes
If you try to create something that everybody can relate to, you're gonna make something that nobody can relate to.
Quotes to Explore
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I find being funny very hard work. I am always asked about it, and I feel guilty saying that, but it's the truth. I love my work, but it ain't easy.
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We ought to have more women in various management positions, because women are the ones who decide almost everything in the home.
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I feel like I have lived all over the world since I get to go everywhere to film.
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Buddhist practices offer a way of saying, 'Hey, come back over here, reconnect.' The only way that you'll actually wake up and have some freedom is if you have the capacity and courage to stay with the vulnerability and the discomfort.
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I'm an artist; I'm not going to use trigonometry.
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I have always been an avid reader of chemical literature, eager for what is new.
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I love my headscarf. I wear my head wrap every day with my hoop earrings.
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The great thing about baseball is there's a crisis every day.
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Every time I put on high heels, I think: 'Well, I'll fall over today.' Almost always, I don't. Almost. But all high-heel-wearing women live in constant peril.
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I luckily had a very charming, lovable mom who I think everybody could see bits and pieces of their mom in.
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The performance of international institutions will be symptomatic of the domestic political priorities of influential member states. International institutions don't really have a life and a mind of their own.
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Bond? It is a bit like saying, 'Do you want to play Superman?' Anyone would dream of it. It's one of the most coveted roles in film. I'd be honoured. But I don't know if it will actually happen. I'm just happy with the idea of being associated with it. It's nice there's a lot of good will.
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When people arrive at El Bulli, everybody goes through the kitchen. It's a way of making them feel at home. When they leave, the only thing I ask is whether they've been happy. Everything in between, I don't particularly care.
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I think any branding for me is band-related. It's really weird to get used to the exposure, because I am a naturally introverted person, and I'm not exactly social. Occasionally I can get comfortable enough to talk, but I spend a lot of my days not talking, especially when I'm at home and not on tour.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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When your results are good, you are obviously going to have a lot of press. And when you start to falter a little bit, you are going to have some criticism, and there is nothing abnormal in that.
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We are in a culture where it's so easy to just turn things off that you don't like. And I think that doesn't make you a well-rounded person or artist. You have to be able to take the good with the bad and have opinions on things!
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On the other hand, the American public possesses a great resilience and strength, and good risk communication strategies can tap into and even amplify those assets.
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I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
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I have no plans of getting married so soon.
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I get hugs all the time from strangers. I do believe that people can feel your persona when you perform live, but it is one of the nicest things if you can translate that on your records.
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I'm a huge sushi fan. I have it every couple of days.
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One of the things we urge Y-Combinator companies to do is to have profitability in grasp. If you need to get profitable before your A round of money, you ought to be able to do that.
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If you try to create something that everybody can relate to, you're gonna make something that nobody can relate to.
