Lao Tzu Quotes
Thirty spokes meet in the hub, but the empty space between them is the essence of the wheel. Pots are formed from clay, but the empty space within it is the essence of the pot. Walls with windows and doors form the house, but the empty space within it is the essence of the home.
Quotes to Explore
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I grew up in the '80s. I was a kid, but all my favorite movies came out of that period.
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A woodland in full color is awesome as a forest fire, in magnitude at least, but a single tree is like a dancing tongue of flame to warm the heart.
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I'm still number one and I just recently won a major tournament ahead of my toughest rivals so I think I had a few years ahead of me if I decided to stay.
Garry Kasparov -
Children are the world's future, and we need to take care of them like we would any precious resource.
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For decades, Iran has covertly worked to develop a nuclear weapons program and has repeatedly violated its international obligations.
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You need tremendous spirituality to stop yourself falling into the abyss.
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Anything that encourages people to pick up an instrument and play, I'm fully behind.
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I really love Miami, but I don't think the architecture matches the city. It's a bit too commercial.
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Kennedy was a man who liked writers and even I got invited to the White House.
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What makes us Americans is our shared commitment to an ideal - that all of us are created equal, and all of us have the chance to make of our lives what we will.
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You make your mistakes to learn how to get to the good stuff.
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I can make them voting machines sing Home Sweet Home.
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Millions of people gave their lives fighting fascism and imperialism, but Pearl Harbor was the event that forever changed the course of human history.
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And also I assert our interest in respecting all our obligations and implementing all our commitments. And will save no effort whatever to protect this newborn opportunity of peace, that is provided through what we have already declared here today.
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Though men may be deep, mentally they are slow.
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I've always been interested in making movies.
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My whole thing is feel free to hate me – I so don't care if you hate me, but meet me, and listen to my record, and know me before you hate me.
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I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
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Real men despise battle, but will never run from it.
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I wrote 'Buried Child' in a trailer at an old ranch house we had in California.
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One of the questions I face when working on a book about a historical event is whether I should visit the actual place that I'm writing about. No matter how scrupulously maintained a historic house or battlefield may be, it is nothing like it was in the long-ago past.
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I wasn't expelled for anything vicious, just being cheeky, not doing what I was told, answering back, and always rising to the bait if someone said something annoying about my dad.
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There's a reason that all societies and cultures and small bands of humans engage in myth-making. Fundamentally, it is to help us understand ourselves.
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Thirty spokes meet in the hub, but the empty space between them is the essence of the wheel. Pots are formed from clay, but the empty space within it is the essence of the pot. Walls with windows and doors form the house, but the empty space within it is the essence of the home.
