Lao Tzu Quotes
The softest things in the world overcome the hardest things in the world. Through this I know the advantage of taking no action.
Quotes to Explore
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I spend an extraordinary amount of time in my car, so I can justify the expense. That's the only extravagance in my life - it's my car.
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There are lots of people who haven't been to drama school who have great talent and can be discovered.
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I liberate minds with my music. That's more important than liberating a few people from apartheid or whatever.
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I was mostly an indoor girl at university. Where other students did drama or music or sport alongside their degrees, I wrote. I used to work on essays and classwork during the day and 'The Bone Season' in the evenings.
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The charm of Brittany is to be found in the people and in the churches. The former, with their peculiar costumes and their customs, are full of interest, and the latter are of remarkable beauty and quaintness.
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I want to have a long career.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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Why can't somebody give us a list of things that everybody thinks and nobody says, and another list of things that everybody says and nobody thinks?
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I always put my fantasies in the realm of goals.
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There's always going to be silly stuff out there in the media that you can't worry too much about, and I don't. We just keep on trucking, and I like the way my... I think there should be 'professional is professional, and personal is personal,' and that's just how I'm going to keep it.
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When you make a movie, it's up to so many things and so many people.
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I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
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I've had a dozen novels published and have made far more than a dozen mistakes. Which is why Randy Susan Meyers and I wrote a guidebook to help authors avoid making our mistakes.
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'Castle' is a guy living in a fantasy world. He's in his imagination, writing these stories of murder.
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I know what it's like to have an inflated libido.
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I like an even-keeled, slow-paced job.
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I don't think anyone really is interested in reading about my emotional state. It's not even interesting to me.
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I know more than anyone the divergent views about my father.
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Economists have the same occupational hazard as baseball managers and football coaches: Every person on the street knows their job better than they do.
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When we find something new at Giza, we announce it to the world. The Sphinx and the Pyramids are world treasures. We are the guardian's of these treasures, but they belong to the world.
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A marriage contract to me is as binding as any in business, and I have always believed in sticking to an agreement.
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And Ronan was everything that was left: molten eyes and a smile made for war.
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Your past mistakes are meant to guide you, not define you.
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The softest things in the world overcome the hardest things in the world. Through this I know the advantage of taking no action.
